Moniment: Volume 10: Edward de Vere's Body of Work as Shakespeare Continues To Enthrall the Literary World
Sprache: Englisch
Verlag: iUniverse, 2014
- Softcover
- Neu

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In English.
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- Titel
- Moniment: Volume 10: Edward de Vere's Body of Work as Shakespeare Continues To Enthrall the Literary World
- Autor
- Altrocchi, Paul Hemenway
- Verlag
- iUniverse
- Erscheinungsjahr
- 2014
- Zustand
- New
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 1491743484
- ISBN-13
- 9781491743485
- Artikelgewicht
- 776 Gramm
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Moniment Volume 10
Edward de Vere's Body of Work as Shakespeare Continues To Enthrall the Literary World
By Paul Hemenway AltrocchiiUniverse LLC
All rights reserved.
Contents
Foreword: Earl Showerman, xv,
Introduction, xxv,
1. Ramòn Jiménez, 2002: Five Eyewitnesses Who Saw Nothing—Part 1, 1,
2. Ramòn Jiménez, 2005: Five More Eyewitnesses Who Saw Nothing— Part 2, 13,
3. Earl Showerman, 2011: Shakespeare's Greater Greek: Macbeth and Aeschylus' Oresteia, 25,
4. Bonner Cutting, 2011: Shakespeare's "Second-Best Bed", 65,
5. Hank Whittemore, 2005: Abridged Introduction to The Monument, 91,
6. Barbara Burris, 2002: Ashbourne Story III: Deception and Destruction, 102,
7. Barbara Burris, 2002: Oh, What a Tangled web, 139,
8. Paul Altrocchi, 2002: The Queen Elizabeth Pregnancy Portrait, 177,
9. Frank Davis, 2007: Shakespeare Outed as a Liar?, 213,
10. Richard Desper, 1999: Il Cortegiano and the Authorship Question, 218,
11. Richard Waugaman 2012: The Psychopathology of Stratfordianism, 222,
12. Thomas Regnier, 2011: The Law in Hamlet, 241,
13. Roger Stritmatter & Lynne Kositsky, 2007: The Spanish Maze, 273,
14. Earl Showerman, 2009: Timon of Athens: Sophoclean Tragedy, 288,
15. Katherine Chiljan, 2011: Deliberate Mix-Up: the Great Author with the Stratford Man. Why?, 321,
16. Daniel Wright, 1998: The 17th Earl of Oxford's Education as Mirrored in the Shakespeare Canon, 352,
17. Diana Price, 2004: Evidence for a Literary Biography, 382,
18. Bonner Cutting, 2009: Is Shakespeare's Will Missing the Mind of Shakespeare?, 421,
Afterword, 453,
CHAPTER 1
Camden, Drayton, Greene, Hall, and Cooke: Five Eyewitnesses Who Saw Nothing —Part 1
by Ramón Jiménez
Shakespeare Oxford Newsletter, Vol. 38, No. 4, p. 1, Fall, 2002
(Ramon Jiménez is a very successful writer of history books including Caesar Against the Celts and Caesar Against Rome. He is a meticulous authorship researcher who, in a series of powerful papers, has provided convincing evidence against the Stratford Man and in favor of Edward de Vere as Shakespeare.)
William Camden
It is well known that the first references in print that connect William Shakespeare of Stratford-on-Avon to the playwright Shakespeare appeared in the First Folio, seven years after his death. On the other hand, several literary men and others wrote about Stratford the town, and knew the Shakespeare living there, but never connected him to the playwright Shakespeare, with whom they were also familiar. William Camden, born in 1551, was the most eminent historian and antiquary of the Elizabethan age, and was deeply involved in the literary and intellectual world of his time. He knew Philip Sidney, was a valued friend of Michael Drayton, and is said to have been a teacher of Ben Jonson. His most famous work was Britannia, a history of England first published in Latin in 1586. He revised it several times before his death in 1623, and it was frequently reprinted.
Another of Camden's books was Remaines Concerning Britain, a series of essays on English history, English names, and the English language that he published in 1605. Camden wrote poetry himself, and in the section on poetry, he referred to poets as "God's own creatures." He listed eleven English poets and playwrights who he thought would be admired by future generations—in other words, the best writers of his time. Among the eleven were six playwrights, including Johnson, Chapman, Drayton, Daniel, Marston, and William Shakespeare.
Two years later, in 1607, Camden published the sixth edition of his Britannia which by then had doubled in size because of his extensive revisions and additions. He arranged the book by shire or county, with his description of each beginning in the pre-Roman period and extending to contemporary people and events. With Camden's interests and previous work in mind, it is surprising to find that in this 1607 edition, and in his subsequent editions, in the section on Stratford, he described this "small market-town" as owing "all its consequence to two natives of it, John de Stratford, Archbishop of Canterbury, who built the church, and Hugh Clopton, Mayor of London, who, at great expense, laid a stone bridge of 14 arches across the Avon." In the same paragraph, Camden called attention to George Carew, Baron Clopton, who lived nearby and was active in the town's affairs.
There is no mention of the well known poet and playwright, William Shakespeare, who had been born and raised in Stratford, whose family still lived there, and who probably by this date had returned there to live in one of the grandest houses in town. Elsewhere in Britannia, Camden noted that the poet Philip Sidney had a home in Kent. And we know he was familiar with literary and theatrical affairs because he was a friend of the poet and playwright Michael Drayton, and he noted in his diary the deaths of the actor Richard Burbage and the poet and playwright Samuel Daniel in 1619. He made no such note on the death of William Shakespeare of Stratford in April, 1616.
It might be suggested that Camden was unfamiliar with the Warwickshire area and wasn't aware that one of the leading playwrights of the day lived in Stratford-on-Avon. But could this be true? In 1597 Queen Elizabeth had appointed Camden to the post of Clarenceux King of Arms, one of the two officials in the College of Arms who approved applications for coats of arms. Two years later, John Shakespeare, William's father, applied to the College to have his existing coat of arms impaled, or joined, by the arms of his wife's family, the Ardens of Wilmcote. Some writers have asserted that William Shakespeare himself made this application for his father, but there is no evidence of that. What is likely is that William paid the substantial fee that accompanied the application.
The record shows that Camden and his colleague William Dethick approved the modification that John Shakespeare sought. However, in 1602 another official in the College brought a complaint against Camden and Dethick that they had granted coats of arms improperly to twenty-three men, one of whom was John Shakespeare. Although Camden and Dethick defended their actions, there is no record of the outcome of the matter, and the Shakespeare coat of arms, minus the Arden impalement, later appeared on the monument in Holy Trinity Church in Stratford. Because of this unusual complaint, Camden had good reason to remember John Shakespeare's application, and it is very probable that he had met both father and son. At the least, he knew who they were and where they lived.
William Camden had another occasion to come in contact with the Shakespeares. In the summer of 1600, when the famous Sir Thomas Lucy died, Camden bore the coat of arms in the procession and conducted the funeral at Charlecote, only a few miles from Stratford-on-Avon. Thomas Lucy also knew the Shakespeares. When he was a justice of the peace in Stratford, John Shakespeare was brought up before him more than once. John may even have attended his funeral, but it seems likely that William was too busy to go. During 1600, seven or eight of his plays were printed for the first time, and according to most orthodox scholars, in the summer of 1600 he was hurrying to finish up Hamlet.
So, even though William Camden revered...
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