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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Imagine! A philosopher who meditates on listening to music, not its ontology; who does not cast composers as heroes and villains; who does not expect music to prophesy the future, or tell us how to live, or solve our political problems; who is allergic to gassy Teutonic grandiloquence (indeed, to Germans tout court). Welcome the anti-Adorno; he has been too long coming to English. And thank Carolyn Abbate for bringing him to us in such excellent shape. Buchnummer des Verkäufers

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Vladimir Jankélévitch left behind a remarkable œuvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense.


Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.

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"Imagine! A philosopher who meditates on listening to music, not its ontology; who does not cast composers as heroes and villains; who does not expect music to prophesy the future, or tell us how to live, or solve our political problems; who is allergic to gassy Teutonic grandiloquence (indeed, to Germans tout court). Welcome the anti-Adorno; he has been too long coming to English. And thank Carolyn Abbate for bringing him to us in such excellent shape."--Richard Taruskin, Class of 1955 Professor of Music, University of California, Berkeley

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Jankélévitch, Vladimir
Verlag: Princeton (2003)
ISBN 10: 0691090475 ISBN 13: 9780691090474
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Buchbeschreibung Princeton, 2003. Hardcover. Buchzustand: Acceptable. Zustand des Schutzumschlags: Very Good. 1st. A few marginal marks. Binding firm, paper white. Buchnummer des Verkäufers 104079

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Jankélévitch, Vladimir
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Buchbeschreibung Princeton University Press. Hardcover. Buchzustand: Fine. 0691090475 Clean and Unmarked Copy. Buchnummer des Verkäufers TRD000077109

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Vladimir Jankand#233;land#233;vitch
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Buchbeschreibung Princeton University Press, 2003. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers WP-9780691090474

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Vladimir Jankelevitch
Verlag: Princeton University Press, United States (2003)
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Buchbeschreibung Princeton University Press, United States, 2003. Hardback. Buchzustand: New. Language: English . Brand New Book. Vladimir Jankelevitch left behind a remarkable ?uvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Faure, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankelevitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankelevitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance.Music is ineffable, as Jankelevitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankelevitch s singular work on music was central to such figures as Roland Barthes and Catherine Clement, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world. Buchnummer des Verkäufers AAH9780691090474

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Vladimir Jankelevitch
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Buchbeschreibung Princeton University Press, United States, 2003. Hardback. Buchzustand: New. Language: English . Brand New Book. Vladimir Jankelevitch left behind a remarkable à uvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Faure, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankelevitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankelevitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is ineffable, as Jankelevitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankelevitch s singular work on music was central to such figures as Roland Barthes and Catherine Clement, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world. Buchnummer des Verkäufers AAH9780691090474

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Jankélévitch, Vladimir
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Buchbeschreibung Princeton University Press. Hardcover. Buchzustand: Fine. 0691090475 Like New Condition. Buchnummer des Verkäufers LN6.0352919

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Vladimir Jankelevitch, Carolyn Abbate
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Buchbeschreibung Princeton University Press. Hardback. Buchzustand: new. BRAND NEW, Music and the Ineffable, Vladimir Jankelevitch, Carolyn Abbate, Vladimir Jankelevitch left behind a remarkable ?uvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Faure, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankelevitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankelevitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankelevitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankelevitch's singular work on music was central to such figures as Roland Barthes and Catherine Clement, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world. Buchnummer des Verkäufers B9780691090474

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Buchbeschreibung Princeton University Press, 2003. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IP-9780691090474

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Buchbeschreibung Princeton University Press, 2003. HRD. Buchzustand: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Buchnummer des Verkäufers IP-9780691090474

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Jankélévitch, Vladimir
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Buchbeschreibung Princeton University Press, 2017. Hardcover. Buchzustand: Very Good. This item is printed on demand. Buchnummer des Verkäufers P020691090475

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