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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a clich that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how "pure", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Book jacket. Buchnummer des Verkäufers

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Inhaltsangabe: In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry giving readers everywhere the opportunity to learn what the poets themselves observe about their discipline. In this edition, Fiona Sampson locates and describes the analogies shared by poetry and music.

Über den Autor: Fiona Sampson was first a concert violinist, then studied at the Universities of Oxford, where she won the Newdigate Prize, and Nijmegen, where she received a PhD in the philosophy of language. This research arose from her pioneering residencies in health care. Her latest of seventeen books is Rough Music, shortlisted for the 2010 Forward and T.S. Eliot Prizes. In 2009 she received a Cholmondeley Award and became an FRSL. She is editor of Poetry Review.

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ISBN 10: 1852249099 ISBN 13: 9781852249090
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Buchbeschreibung Bloodaxe Books Ltd, 2011. Buchzustand: Very Good. N/A. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP67795766

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Buchbeschreibung Bloodaxe Books Ltd, 2011. Paperback. Buchzustand: New. No.1 BESTSELLERS - great prices, friendly customer service â€" all orders are dispatched next working day. Buchnummer des Verkäufers mon0000381953

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Buchbeschreibung BLOODAXE BOOKS LTD, United Kingdom, 2011. Paperback. Buchzustand: New. 210 x 134 mm. Language: English . Brand New Book. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It s almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it s useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson s Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA , abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Buchnummer des Verkäufers AA99781852249090

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Buchbeschreibung Bloodaxe Books Ltd, 2011. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers H8-9781852249090

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Buchbeschreibung BLOODAXE BOOKS LTD, United Kingdom, 2011. Paperback. Buchzustand: New. 210 x 134 mm. Language: English . Brand New Book. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It s almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it s useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson s Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA , abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Buchnummer des Verkäufers AA99781852249090

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Buchbeschreibung Bloodaxe Books Ltd, 2011. Buchzustand: New. 2011. Paperback. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Num Pages: 64 pages, music. BIC Classification: DSC. Category: (G) General (US: Trade). Dimension: 216 x 137 x 6. Weight in Grams: 122. Newcastle / Bloodaxe Poetry Lectures. 64 pages, music. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Cateogry: (G) General (US: Trade). BIC Classification: DSC. Dimension: 216 x 137 x 6. Weight: 122. . . . . . . Buchnummer des Verkäufers V9781852249090

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Buchbeschreibung Bloodaxe Books Ltd. Buchzustand: New. 2011. Paperback. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Num Pages: 64 pages, music. BIC Classification: DSC. Category: (G) General (US: Trade). Dimension: 216 x 137 x 6. Weight in Grams: 122. Newcastle / Bloodaxe Poetry Lectures. 64 pages, music. Three lectures on contemporary poetry by one of Britain's leading poets, Fiona Sampson, editor of Poetry Review. Her lectures discuss the relationship between poetry, music and ideas, taking examples from a diverse range of writers, composers and philosophers. Cateogry: (G) General (US: Trade). BIC Classification: DSC. Dimension: 216 x 137 x 6. Weight: 122. . . . . . Books ship from the US and Ireland. Buchnummer des Verkäufers V9781852249090

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Buchbeschreibung Bloodaxe Books Ltd, 2011. Paperback. Buchzustand: Brand New. 64 pages. 8.46x5.47x0.28 inches. In Stock. Buchnummer des Verkäufers __1852249099

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Buchbeschreibung 2011. Paperback. Buchzustand: New. 216mm x 137mm x. Paperback. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 64 pages. 0.122. Buchnummer des Verkäufers 9781852249090

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