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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a clich that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how "pure", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Book jacket. Buchnummer des Verkäufers

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Inhaltsangabe: In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry giving readers everywhere the opportunity to learn what the poets themselves observe about their discipline. In this edition, Fiona Sampson locates and describes the analogies shared by poetry and music.

Über den Autor: Fiona Sampson was first a concert violinist, then studied at the Universities of Oxford, where she won the Newdigate Prize, and Nijmegen, where she received a PhD in the philosophy of language. This research arose from her pioneering residencies in health care. Her latest of seventeen books is Rough Music, shortlisted for the 2010 Forward and T.S. Eliot Prizes. In 2009 she received a Cholmondeley Award and became an FRSL. She is editor of Poetry Review.

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Verlag: Bloodaxe Books Ltd (2011)
ISBN 10: 1852249099 ISBN 13: 9781852249090
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Buchbeschreibung Bloodaxe Books Ltd, 2011. Buchzustand: Very Good. N/A. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP67795766

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Buchbeschreibung Paperback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR005327230

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Buchbeschreibung Bloodaxe Books Ltd, 2011. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers H8-9781852249090

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Buchbeschreibung Bloodaxe Books Ltd. Paperback. Buchzustand: new. BRAND NEW, Music Lessons: Newcastle / Bloodaxe Poetry Lectures, Fiona Sampson, In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It's almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it's useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson's Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA", abstract forms can be created in time in the same way that they are created in space. Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Buchnummer des Verkäufers B9781852249090

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Buchbeschreibung BLOODAXE BOOKS LTD, United Kingdom, 2011. Paperback. Buchzustand: New. 210 x 134 mm. Language: English . Brand New Book. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It s almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it s useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson s Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA , abstract forms can be created in time in the same way that they are created in space.Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Buchnummer des Verkäufers AA99781852249090

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Buchbeschreibung Bloodaxe 2011-06-30, Tarset, 2011. paperback. Buchzustand: New. Buchnummer des Verkäufers 9781852249090

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Buchbeschreibung BLOODAXE BOOKS LTD, United Kingdom, 2011. Paperback. Buchzustand: New. 210 x 134 mm. Language: English . Brand New Book. In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. It s almost a cliche that music and poetry are cousins, and that the term lyric names this cousinship. Yet the actual forms music takes within poetry are unclear, even contested. At the same time, our assumptions about these forms condition the ways we hear poetry. So it s useful to us as both readers and writers to discover where the analogies between music and poetry are. Fiona Sampson s Music Lessons outlines some of these, using ideas and examples from Martin Heidegger to J.S. Bach, Emily Dickinson to Leonard Cohen, and George Herbert to Julia Kristeva. Her first lecture, Point Counter-point, uses melody to suggest a link between poetic line, phrase and breath. Here is my space explores how pureA , abstract forms can be created in time in the same way that they are created in space.Finally, How strange the change looks at sensuous apprehension and the pleasure principle. Buchnummer des Verkäufers AA99781852249090

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97818522490900000000

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Buchbeschreibung Bloodaxe Books Ltd, 2011. Buchzustand: New. book. Buchnummer des Verkäufers ria9781852249090_rkm

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