Music Scenes: Local, Translocal, and Virtual

ISBN 10: 0826514510 / ISBN 13: 9780826514516

Verlag: Vanderbilt University Press, 2004

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Bibliografische Details

• Titel: Music Scenes: Local, Translocal, and Virtual
• Verlag: Vanderbilt University Press
• Erscheinungsjahr: 2004
• Sprache: Englisch
• ISBN-10: 0826514510
• ISBN-13: 9780826514516
• Einband: Softcover
• Zustand: New

Über diesen Titel

Inhaltsangabe

While more than 80 percent of the world's commercial music is controlled by four multinational firms, most music is made and enjoyed in diverse situations divorced from such corporate behemoths. These fourteen original essays examine the fascinating world of ""music scenes,"" those largely inconspicuous sites where clusters of musicians, producers, and fans explore their common musical tastes and distinctive lifestyle choices. Although most music scenes come and go with hardly a trace, they nevertheless give immense satisfaction to their participants, and a few - New York bop jazz, Merseybeat, Memphis rockabilly, London punk, Bronx hiphop - achieve fame and spur musical innovations. To date, serious study of the scenes phenomenon has focused mainly on specific music scenes while paying less attention to recurrent dynamics of scene life, such as how individuals construct and negotiate scenes to the various activities. This volume remedies that neglect. The editors distinguish between three types of scenes - local, translocal, and virtual - which provide the organizing framework for the essays. Aspects of local scenes, which are confined to specific areas, are explored through essays on Chicago blues, rave, karaoke, teen pop, and salsa. The section on translocal scenes, which involve the coming together of scattered local scenes around a particular type of music and lifestyle, includes articles on Riot Grrrls, goths, art music, and anarcho-punk. Aspects of virtual scenes, in which fans communicate via the internet, are illustrated using alternative country, the Canterbury sound, postrock, and Kate Bush fans. Also included is an essay that shows how the social conditions in places where jazz was made influenced that music's development.

Über die Autorin bzw. den Autor

Andy Bennett is lecturer in sociology at the University of Surrey. He is the author of Popular Music and Youth Culture: Music, Identity and Place and Cultures of Popular Music. With Kevin Dawe, he co-edited Guitar Cultures. Richard A. Peterson is professor emeritus of sociology at Vanderbilt University, and founding chair of the Culture Section of the American Sociological Association. His books include The Production of Culture, Creating Country Music: Fabricating Authenticity, and The Sounds of Social Change: Studies in Popular Culture, co-edited with R. Serge Denisoff.