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Inhaltsangabe: If I Am A Musical Thinker is a statement of the aesthetic, social, and spiritual credo of the influential American composer and writer Benjamin Boretz. Boretz proposes that artistic expression answers primal human needs for experiencing identity through articulation in artistic media; and further, that theoretical reflection is constructively or deconstructively crucial to expression and is itself expressive in nature. In keeping with this view, the author has created a discursive form peculiar to this statement, composing textual, graphic, and typographical material into a manifesto embodying his evolving position. Boretz founded and, until recently, edited perhaps the foremost journal of contemporary music theory and analysis, Perspectives of New Music.
Über den Autor: Benjamin Boretz is a twentieth- and twenty-first-century American composer and music theorist. He was one of the early composers to work with computer-synthesized sound (Group Variations II, 1970-72). In the late 1970s and 1980s he converged his compositional and pedagogical practices in a project of realtime improvisational musicmaking, culminating in the formation (at Bard College) of the music-learning program called Music Program Zero, which flourished until 1995. He has written extensively on musical issues, as critic, theorist, and musical philosopher, from the perspective of a practicing composer. His earliest (1970) large-scale music-intellectual essay was the book-length Meta-Variations, Studies in the Foundations of Musical Thought which addresses the epistemological questions involved in the cognition and composition of music, and propounds a radically relativistic/individualistic/ontological reconstruction of the music-creative process. Later (1978), his text composition Language, as a Music, Six marginal Pretexts for Composition engaged questions of the origin and nature of language and meaning as they might be conceived from the perspective of music. Boretz is a co-founder, with Arthur Berger, of the composers music journal Perspectives of New Music and, in 1999, founded The Open Space Magazine, which he edits with Mary Lee Roberts, Tildy Bayar, and Dorota Czerner.
Buchbeschreibung Station Hill Press, 1985. Paperback. Buchzustand: Very Good. First Edition. This is a VG condition paperback. Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 24501
Buchbeschreibung Barrytown/Station Hill Press, Inc. PAPERBACK. Buchzustand: Very Good. 0882680021 Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice!. Buchnummer des Verkäufers Z0882680021Z2
Buchbeschreibung Station Hill Pr, 1984. Paperback. Buchzustand: New. Buchnummer des Verkäufers DADAX0882680021
Buchbeschreibung Station Hill Pr, 1984. Paperback. Buchzustand: Brand New. 1st edition. 56 pages. 8.60x5.80x0.40 inches. In Stock. Buchnummer des Verkäufers 0882680021
Buchbeschreibung Station Hill Press, 1984. Paperback. Buchzustand: Good. 0.4 x 8.6 x 5.8 Inches; 56 pages. Buchnummer des Verkäufers 110092
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97808826800263.0
Buchbeschreibung Buchzustand: Brand New. Book Condition: Brand New. Buchnummer des Verkäufers 97808826800261.0
Buchbeschreibung Barrytown/Station Hill Press, Inc., 2010. Paperback. Buchzustand: Used: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Buchnummer des Verkäufers 0882680021
Buchbeschreibung Barrytown/Station Hill Press, Inc., 2010. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 0882680021
Buchbeschreibung Barrytown/Station Hill Press, Inc., 2010. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 882680021