Nationalism and the Nordic Imagination: Swedish Art of the 1890s

Facos, Michelle

Verlag: University of California Press
ISBN 10: 0520206266 / ISBN 13: 9780520206267
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Inhaltsangabe: This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siècle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists—among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli—produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists.

Über den Autor: Michelle Facos is Assistant Professor of Art History at the Henry Radson Hope School of Fine Arts, Indiana University.

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Titel: Nationalism and the Nordic Imagination: ...
Verlag: University of California Press

Einband: Hardcover
Zustand: Very Good

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ISBN 10: 0520206266 ISBN 13: 9780520206267
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Buchbeschreibung Buchzustand: Good. All pages are intact, and the spine and cover are also intact. May have some usage wear, missing or damaged dust jacket, stickers, cover creases, bumped corners, bent pages, remainder mark, previous owner label or name, inscription, notes, underlining and/or highlighting. Text only; no CDs, InfoTrac, Access Codes, Activation Keys, or other inclusions, unless otherwise noted. Buchnummer des Verkäufers 467000001A0G

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Buchbeschreibung University of California Press. Hardcover. Buchzustand: Very Good. 0520206266 Crisp, clean, unread book with some shelfwear ? NICE. Buchnummer des Verkäufers Z0520206266Z2

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Buchbeschreibung University of California, Berkeley CA, 1998. Hard Cover. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 234 pages, b/w illustrations. An interdisciplinary approach linking social and cultural dynamics in turn-of-the-century Sweden to the discourses of primitivism, nationalism, and symbolism. Studied are Carl Larsson, Anders Zorn, Bruno Liljefors, and Prince Eugen. Damaged bottom of back cover. Size: 6 1/2 x 9 1/2". Buchnummer des Verkäufers 6390

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Buchbeschreibung University of California Press, 1998. Buchzustand: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siecle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists--among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli--produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists. Buchnummer des Verkäufers ABE_book_usedgood_0520206266

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Buchbeschreibung University of California Press, 1998. Hardcover. Buchzustand: Used: Very Good. Buchnummer des Verkäufers SONG0520206266

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Buchbeschreibung University Of California Press, 1998. Hardcover. Buchzustand: near fine/near fine. Quarto. 234pp A very nice copy in an equally nice dust jacket. In a mylar protective wrapper. Buchnummer des Verkäufers 41481

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Buchbeschreibung University of California Press, 1998. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers WF-9780520206267

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Buchbeschreibung University of California Press, 1998. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SKU4160611

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Buchbeschreibung University of California Press, United States, 1998. Hardback. Buchzustand: New. New.. 254 x 178 mm. Language: English . Brand New Book. This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siecle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement s primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists - among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli - produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal Folk identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists. Buchnummer des Verkäufers AAH9780520206267

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