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Inhaltsangabe: This book examines the crucial period in the painter's career as he struggled to save his neck and recast his identity in the aftermath of the Reign of Terror. Burcharth assesses his works in the context of the larger cultural and social formations emerging in France concluding with an interpretation of the unfinished portrait of Juliette Recamier.
From Library Journal:
Focusing on the period after the fall of Robespierre, Lajer-Burcharth (humanities, Harvard) reframes David's art in relation to gender tensions within French society at the time and within the artist's vision of himself. The methodologies of gender studies and semiotics are the focus of her argument, which sacrifices traditional art historical analysis. The author demonstrates how revolutionary dress and the stresses and losses it implied were reflected in the instability of David's art and his place as a revolutionary artist in French society. While trying to offer a new perspective on David and on visual representation during this period of French history, Lajer-Burcharth often looses her focus by cloaking David and his art in literary theory and opaque jargon. Recommended only for art libraries that support graduate programs in art history. While concentrating on the same time period, Roberts examines David and Jean-Louis Prieur, the most popular illustrator of the period, within a post-Marxist framework. Roberts first defines the Revolution in the theoretical terms of J?rgen Habermas's bourgeois public sphere, which is separate from the political sphere of the state. He also discusses Roger Chartier's idea of the division of the educated elite from the masses during the French Revolution. With these theoretical underpinnings, the author examines Prieur and David, who in their art reflected the concerns of both the plebeian "peuple" and the educated "public" of the salons. A detailed historical account of the key moments of the Revolution is included and related to the works of both men. This scholarly study is recommended only for libraries that support graduate programs in art or French history.
-Sandra Rothenberg, Framingham State Coll. Lib., MA
Copyright 2000 Reed Business Information, Inc.
Buchbeschreibung Yale University Press, 1999. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Good. 4to - over 9¾" - 12" tall. 374 pp, index, b/w and colour plates. Dj has some small chips and tears along edges. Boards have edgewear. Interior unmarked and solid. Buchnummer des Verkäufers 015098
Buchbeschreibung Yale University Press, 1999. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0300074212
Buchbeschreibung Yale University Press, 1999. Hard. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. The very lightest of shelfwear. Size: 4to 0.0. Buchnummer des Verkäufers 55470
Buchbeschreibung Yale University Press, New Haven, Connecticut, USA, 1999. Hardcover. Buchzustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Fine hardback in mustard brown boards; clean exterior; no markings to interior; tight in binding. Near Fine illustrated DJ with no chips or tears; protected in mylar jacket. 374 pages. Buchnummer des Verkäufers 016355
Buchbeschreibung Yale University Press, 1999. Hardcover. 374pp., 155 black & white illustrations, 11 colour plates. Near new, fresh unused condition, covers bright, text clean & binding tight / bright and crisp dust jacket. Buchnummer des Verkäufers 161640
Buchbeschreibung Yale University Press 1999-10-11, 1999. Hardcover. Buchzustand: good. 0300074212. Buchnummer des Verkäufers 523586
Buchbeschreibung Yale University Press, New Haven and London, 1999. x, 374p., colored and b/w illus., dj, quarto format. Buchnummer des Verkäufers 029367
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97803000742154.0
Buchbeschreibung Yale University Press, 1999. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0300074212
Buchbeschreibung Yale University Press, 1999. Hardcover. Buchzustand: Very Good. Buchnummer des Verkäufers P020300074212