Objects of Desire : Surrelism and Design 1924?Today. Dieser Artikel ist nicht verfügbar.Objects of Desire : Surrelism and Design 1924?Today

Surrealism was one of the most influential art movements of the twentieth century. This book examines the dialogue between Surrealism and design and, for the first time, reveals the enormous influence the movement has had on design over the last hundred years. It has encouraged designers to question the reality beyond what is visible and to design objects that offer resistance, undermine routine, and disrupt the quotidian. The spectrum of examples ranges from Duchamp’s ready-mades and Dalí’s sensual object sculptures to works by designers like Carlo Mollino or Gae Aulenti and includes current designs that analyse new technologies or gender roles in subversive ways. Evidently, Surrealism has lost none of its relevance―for art as well as for design.   With works by Gae Aulenti, André Breton, Achille Castiglioni, Le Corbusier, Salvador Dalí, Marcel Duchamp, Dunne & Raby, Ray Eames, Max Ernst, Front Design, Iris van Herpen, Friedrich Kiesler, Shiro Kuramata, René Magritte, Lee Miller, Carlo Mollino, Isamu Noguchi, Odd Matter, Meret Oppenheim, Mimi Parent, Gaetano Pesce, Man Ray, Robert Stadler, Studio Wieki Somers, among others.

Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. »Objects of Desire: Surrealism and Design« is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dalí, Marcel Duchamp, ntoni Gaudí, Frederick Kiesler, René Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function ? it can also follow our obsessions, our fantasies, and our hidden desires.