Observing Theatre: Spirituality and Subjectivity in the Performing Arts (Consciousness, Literature and the Arts)

Meyer-Dinkgrafe, Daniel

Verlag: Rodopi, 2013
ISBN 10: 9042037806 / ISBN 13: 9789042037809
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Titel: Observing Theatre: Spirituality and ...
Verlag: Rodopi
Erscheinungsdatum: 2013

Zustand: very good

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Meyer-Dinkgrafe, Daniel
Verlag: Rodopi (2013)
ISBN 10: 9042037806 ISBN 13: 9789042037809
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Buchbeschreibung Rodopi, 2013. Paperback. Buchzustand: Very Good. Unmarked. 234p. Daniel Meyer-Dinkgr. Buchnummer des Verkäufers 24028

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Daniel Meyer-Dinkgrafe
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Buchbeschreibung Brill. Paperback. Buchzustand: new. BRAND NEW, Observing Theatre: Spirituality and Subjectivity in the Performing Arts, Daniel Meyer-Dinkgrafe, Daniel Meyer-Dinkgrafe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder's approach as precisely as possible, then take Binder's approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new "fiction", to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Buchnummer des Verkäufers B9789042037809

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Buchbeschreibung Rodopi, 2013. Buchzustand: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Daniel Meyer-Dinkgrafe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder's approach as precisely as possible, then take Binder's approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new "fiction," to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Buchnummer des Verkäufers ABE_book_usedgood_9042037806

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OBSERVING THEATRE -
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Buchbeschreibung BRILL, 2013. Paperback. Buchzustand: NEW. 9789042037809 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE0828148

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Buchbeschreibung Rodopi, 2013. Paperback. Buchzustand: Good. Satisfaction 100% guaranteed. Buchnummer des Verkäufers mon0001219831

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Daniel Meyer-Dinkgrafe
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Buchbeschreibung Brill, Netherlands, 2013. Paperback. Buchzustand: New. 228 x 150 mm. Language: English . Brand New Book. Daniel Meyer-Dinkgrafe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder s approach as precisely as possible, then take Binder s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new fiction , to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Buchnummer des Verkäufers AAN9789042037809

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Daniel Meyer-Dinkgrafe
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Buchbeschreibung Brill, Netherlands, 2013. Paperback. Buchzustand: New. 228 x 150 mm. Language: English . Brand New Book. Daniel Meyer-Dinkgrafe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder s approach as precisely as possible, then take Binder s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new fiction , to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Buchnummer des Verkäufers AAN9789042037809

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Buchbeschreibung Rodopi, 2013. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 9042037806

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Buchbeschreibung Rodopi, 2013. Buchzustand: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Daniel Meyer-Dinkgrafe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder's approach as precisely as possible, then take Binder's approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new "fiction," to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Buchnummer des Verkäufers ABE_book_new_9042037806

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