Opera and British Print Culture in the Long Nineteenth Century

Furhmann, Christina; Mero, Alison (EDT)

ISBN 10: 1638040427 / ISBN 13: 9781638040422

Verlag: Clemson University Press w/ LUP, 2023

Beschreibung

Unread book in perfect condition.

Bestandsnummer des Verkäufers 44778780

Bibliografische Details

• Titel: Opera and British Print Culture in the Long Nineteenth Century
• Verlag: Clemson University Press w/ LUP
• Erscheinungsjahr: 2023
• Sprache: Englisch
• ISBN-10: 1638040427
• ISBN-13: 9781638040422
• Einband: Hardcover
• Zustand: As New

Über diesen Titel

Inhaltsangabe

Opera and the printed word were both omnipresent in Britain in the long nineteenth century. At first, opera- a living, performative art- may seem to have little to do with the static media of print. As this volume demonstrates, however, there were multiple points of interaction between the two that shaped how opera was experienced, disseminated, and perceived.

Über die Autorin bzw. den Autor

Christina Fuhrmann is Professor of Music at Baldwin Wallace University Conservatory of Music and edits BACH: Journal of the Riemenschneider Bach Institute. Her research has been published in venues such as The Oxford Handbook of the British Musical, Nineteenth-Century Music Review, and The Encyclopedia of Romantic Literature. Her book, Foreign Opera at the London Playhouses, from Mozart to Bellini (Cambridge University Press, 2015) received the Diana McVeagh Prize for Best Book on British Music, awarded biennially by the North American British Music Studies Association.

Alison Mero holds a PhD from Indiana University. Her research focuses on the discourse surrounding English-language opera in the nineteenth century. She has published in Notes and has an essay in Musicians of Bath and Beyond edited by Nicholas Temperley (Boydell, 2016). Currently she is executive managing editor at Clemson University Press where she acquires titles in music and manages production for all of Clemson's academic books.