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The Origin of Perspective

Damisch, Hubert

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ISBN 10: 0262540770 / ISBN 13: 9780262540773
Verlag: The MIT Press, 1995
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In part a response to Panofsky's Perspective as Symbolic Form, The Origin of Perspective is much more. In France it is considered one of the most important works of art history to have appeared in the last twenty years. With the exception of Michel Foucault's analysis of Las Meninas, it is perhaps the first time a structuralist method such as the one developed by Claude L鶩-Strauss in The Way of the Masks has been thoroughly and convincingly applied to Western art.

The task Damisch has set for himself is to refute both the positivist critics, whose approach makes up the bulk of perspective studies and is based on a complete repression of Panofsky's early work, and the current pseudo-avant-gardist position (whether in the field of cinema studies or in literary criticism), which tends to disregard facts and theoretical analysis. Damisch argues that if a theoretical analysis of perspective is possible, using all the tools of structuralist semiotics, it is only possible in the context of a close look at its appearance in history, beginning with the details of the "invention" of perspective.

Über den Autor: Hubert Damisch is on the faculty of the Ecole des Hautes Etudes en Sciences Sociales in Paris. Both art historian and philosopher, he is the author of Théorie du nuage and Fenêtre jaune cadmium.

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Titel: The Origin of Perspective

Verlag: The MIT Press

Erscheinungsdatum: 1995

Zustand: very good

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