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The term outsider art has been used to describe work produced exterior to the mainstream of modern art by certain self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals, and others beyond the perceived margins of society. Yet the idea of such a raw, untaught creativity remains a contentious and much-debated issue in the art world. Is this creative instinct a natural, innate phenomenon, requiring only the right circumstances?such as isolation or alienation?in order for it to be cultivated? Or is it an idealistic notion projected onto the art and artists by critics and buyers?

 

David Maclagan argues that behind the critical and commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, originality, and artistic eccentricity. Although outsider art is often presented as a recent discovery, these ideas, Maclagan reveals, belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. In Outsider Art, Maclagan challenges many of the current opinions about this increasingly popular field of art and explores what happens to outsider artists and their work when they are brought within the very world from which they have excluded themselves.

 

Über den Autor:

David Maclagan is an artist, art therapist, and university lecturer. He has published numerous articles on outsider art, art therapy, and image-based psychology, and is the author of Creation Myths: Man?s Introduction to the World and Psychological Aesthetics: Painting, Feeling and Making Sense.

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Buchbeschreibung Reaktion Books, 2009. Buchzustand: Good. 1st Edition. N/A. Ships from the UK. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP95458934

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Buchbeschreibung Reaktion Books, 2009. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers GB-9781861895219

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Buchbeschreibung Reaktion Books. Hardback. Buchzustand: new. BRAND NEW, Outsider Art: From the Margins to the Marketplace, David MacLagan, Outsider art is work produced outside the mainstream of modern art by self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals and others beyond the perceived margins of society. Coined in 1972 the term is derived from art brut', which the artist Jean Dubuffet began promoting just after the Second World War. Both focus on the idea of a raw', untaught creativity, which is still a contentious and much-debated issue. Is this a natural phenomenon, requiring only the right circumstances (isolation or alienation) to be revealed; or is it more like a mirage projected by the very culture it is supposed to be escaping from? Behind the polemic and the commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, radical originality and the artist's social or psychological eccentricity. Although Outsider art is often presented as a recent discovery, these ideas belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. If Outsiders are in some way outside' the conventional art world, what happens to them, and to the works they create, when they are introduced to it? David Maclagan has been writing on Outsider art for over twenty-five years, and this book sets out to challenge many of the received ideas in the field. This book will be of interest to the growing number of people interested in the field of Outsider art, and all those studying concepts of artistic creativity and their cultural background. Buchnummer des Verkäufers B9781861895219

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Buchbeschreibung Reaktion Books 2009-11-27, 2009. Buchzustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Buchnummer des Verkäufers NU-GRD-00565564

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Buchbeschreibung Reaktion Books, United Kingdom, 2009. Hardback. Buchzustand: New. 204 x 158 mm. Language: English . Brand New Book. Outsider art is work produced outside the mainstream of modern art by self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals and others beyond the perceived margins of society. Coined in 1972 the term is derived from art brut , which the artist Jean Dubuffet began promoting just after the Second World War. Both focus on the idea of a raw , untaught creativity, which is still a contentious and much-debated issue. Is this a natural phenomenon, requiring only the right circumstances (isolation or alienation) to be revealed; or is it more like a mirage projected by the very culture it is supposed to be escaping from? Behind the polemic and the commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, radical originality and the artist s social or psychological eccentricity. Although Outsider art is often presented as a recent discovery, these ideas belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. If Outsiders are in some way outside the conventional art world, what happens to them, and to the works they create, when they are introduced to it? David Maclagan has been writing on Outsider art for over twenty-five years, and this book sets out to challenge many of the received ideas in the field. This book will be of interest to the growing number of people interested in the field of Outsider art, and all those studying concepts of artistic creativity and their cultural background. Buchnummer des Verkäufers AAZ9781861895219

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Buchbeschreibung Reaktion Books, United Kingdom, 2009. Hardback. Buchzustand: New. 204 x 158 mm. Language: English . Brand New Book. Outsider art is work produced outside the mainstream of modern art by self-taught visionaries, spiritualists, eccentrics, recluses, psychiatric patients, criminals and others beyond the perceived margins of society. Coined in 1972 the term is derived from art brut , which the artist Jean Dubuffet began promoting just after the Second World War. Both focus on the idea of a raw , untaught creativity, which is still a contentious and much-debated issue. Is this a natural phenomenon, requiring only the right circumstances (isolation or alienation) to be revealed; or is it more like a mirage projected by the very culture it is supposed to be escaping from? Behind the polemic and the commercial hype lies a cluster of assumptions about creative drives, the expression of inner worlds, radical originality and the artist s social or psychological eccentricity. Although Outsider art is often presented as a recent discovery, these ideas belong to a tradition that goes back to the Renaissance, when the modern image of the artist began to take shape. If Outsiders are in some way outside the conventional art world, what happens to them, and to the works they create, when they are introduced to it? David Maclagan has been writing on Outsider art for over twenty-five years, and this book sets out to challenge many of the received ideas in the field. This book will be of interest to the growing number of people interested in the field of Outsider art, and all those studying concepts of artistic creativity and their cultural background. Buchnummer des Verkäufers AAZ9781861895219

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