PERFORMING GRAND-GUIGNOL. Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: University of Exeter Press, 2016
- Softcover
- Neu

Anbieter: Speedyhen LLC, Hialeah, FL, USASpeedyhen LLC
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Softcover
Zustand: Neu
EUR 35,61
Bestandsnummer des Verkäufers NWUS9780859899963
- Titel
- PERFORMING GRAND-GUIGNOL
- Autor
- SONCINI, SARA
- Verlag
- University of Exeter Press
- Erscheinungsjahr
- 2016
- Zustand
- NEW
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 0859899969
- ISBN-13
- 9780859899963
- Serie
- Buch 9 von 10: Exeter Performance Studies
The Théâtre du Grand-Guignol in Paris, which opened in 1897 and closed officially in 1962, specialized in often graphic horror theater. Over the past fifteen years, authors Richard J. Hand and Michael Wilson have worked to explore this extraordinary but largely forgotten theater, running theater workshops with students that at times have led to new productions in the style of the Grand-Guignol. The present volume provides rich insights into the authors’ work performing Grand-Guignol theater with their students, and includes a brief history of the Grand-Guignol as well as translations of sixteen plays from such notable writers as Octave Mirbeau, Gaston Leroux, and St John Ervine in addition to Grand-Guignol stalwarts René Berton and André de Lorde. Performing Grand-Guignol is ideal as an acting guide as well as for anyone with an interest in theater studies or the history of theater.
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Über die Autorin bzw. den Autor
Richard J. Hand is professor of theater and media drama at the Cardiff School of Creative and Cultural Industries, University of Glamorgan. Michael Wilson is professor of drama at Loughborough University Hand and Wilson have written two other books on Grand-Guignol theater, Grand-Guignol: The French Theatre of Horror and London’s Grand Guignol and the Theatre of Horror, both from University of Exeter Press.
Richard J. Hand is Professor of Media Practice and Head of Media, Film and TV Studies at University of East Anglia. He is the co-editor of the Journal of Adaptation in Film and Performance, a Senior Fellow of the Higher Education Academy, and a Fellow of the Royal Society of Arts. Richard has written extensively on adaptation, horror studies, European theatre, radio drama, and popular culture. He has also worked as a writer, director and performer for theatre and radio. His practice-based research activities include experimental live re-creations of The Train of Terror! (2005), The Terrifying Tale of Sweeney Todd! (2008), Noel Coward's The Better Half (2008), and Kandinsky's The Yellow Sound (2011). Michael Wilson is Professor of Drama at Loughborough University. He was previously Professor of Drama and Dean of the School of Media and Performance at University College Falmouth and prior to that was Head of Research at the Cardiff School of Creative and Cultural Industries at the University of Glamorgan and Co-Director (with Hamish Fyfe) of the George Ewart Evans Centre for Storytelling. His main research interests lie in the field of popular and vernacular performance and he has published extensively on Storytelling, Grand-Guignol and Brecht and his collaborators. In particular, his work on storytelling has led him to work on the interface between storytelling and digital technology and the way in which the internet has enabled the telling and sharing of 'extraordinary' stories of the everyday experiences of people.
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