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Inhaltsangabe: As Painting, which accompanies an exhibition of the same name at the Wexner Center for the Arts, offers thought-provoking new perspectives on the evolution of painting in the United States and Europe since the mid-1960s. It illuminates the flexible boundaries of what can be seen or interpreted "as painting" and that medium's interrelationships with sculpture, photography, and installation, highlighting points of convergence and divergence.
The featured artists include such major figures as Daniel Buren, Donald Judd, Imi Knoebel, Sherrie Levine, Agnes Martin, Gerhard Richter, Robert Ryman, and Robert Smithson, as well as artists who are much less known, at least in the United States. Pivotal to the discussion is the work of a number of significant but relatively unfamiliar French painters, including Martin Barré, Christian Bonnefoi, Simon Hantaï, Michel Parmentier, and François Rouan. The book serves as an introduction to their work while providing fresh interpretations of the more familiar artists. Also highlighted are several artists not usually thought of as "painters," among them Polly Apfelbaum, Mel Bochner, Judd, Smithson, Anne Truitt, and James Welling.
The book features two extended essays, detailed commentaries on each of the twenty-six artists in the exhibition, and fourteen additional essays by artists and commentators noted for their engagement with the issues raised here. These include a commentary on Simon Hantaï by Alfred Pacquement, Director of the Centre Georges Pompidou in Paris; original essays by French critics Catherine Millet and Christian Prigent; interviews with artists Martin Barré and Mel Bochner; and a little-known set of notes by Jacques Lacan on the painting of François Rouan.
Wexner Center for the Arts
Ohio State University
May 11-August 12, 2001
Über den Autor:
Philip Armstrong is Senior Lecturer in Comparative Studies in the Humanities at Ohio State University.
Laura Lisbon is a painter and Associate Professor of Art at Ohio State University.
Stephen Melville is Professor of the History of Art at Ohio State University.
Titel: As Painting: Division and Displacement
Verlag: The MIT Press
Zustand: very good
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Buchnummer des Verkäufers mon0000758368
Buchbeschreibung The MIT Press 2001-04-30, 2001. Hardcover. Buchzustand: good. 0262011832. Buchnummer des Verkäufers 679505
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: Good. Good condition, some are ex-library and can have markings. Buchnummer des Verkäufers GD-011-23-3730203
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: Very Good. Buchnummer des Verkäufers P020262011832
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: Like New. Buchnummer des Verkäufers P010262011832
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: Very Good. Very good. Buchnummer des Verkäufers HH-011-23-3730203
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: New. Buchnummer des Verkäufers P110262011832
Buchbeschreibung MIT PRESS, Cambridge MA, 2001. First Edition. 24 x 21 cm 256 pp with colour and b&w illustrations throughout. Cloth, fine in fine dustwrapper. Buchnummer des Verkäufers 10959
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0262011832
Buchbeschreibung The MIT Press, 2001. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 262011832