Performing Left Populism: Performance, Politics and the People (Paperback or Softback). Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Methuen Drama 1/23/2025, 2025
- Softcover
- Neu

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Artikelbeschreibung des Verkäufers
Performing Left Populism: Performance, Politics and the People.
Bestandsnummer des Verkäufers BBS-9781350347083
- Titel
- Performing Left Populism: Performance, Politics and the People (Paperback or Softback)
- Autor
- Lotina, Goran Petrovic
- Verlag
- Methuen Drama 1/23/2025
- Erscheinungsjahr
- 2025
- Zustand
- New
- Buchtyp
- Book
- Einband
- Paperback or Softback
- Sprache
- Englisch
- ISBN-10
- 1350347086
- ISBN-13
- 9781350347083
- Artikelgewicht
- 0,59 Pfund
A bold and innovative contribution to the discussion of the potential and limits of left populism in the fields of performance studies and political theory.
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Über die Autorin bzw. den Autor
Goran Petrovic Lotina is Research Fellow at the University of Warwick, UK, and Lecturer at Sciences Po Paris, France. He is an author, scholar and curator who has published widely on the interplay between art, politics, and theory. He is the author of Choreographing Agonism: Politics, Strategies and Performances of the Left
(2021)
Théo Aiolfi is a Marie Curie Cofund EUTOPIA Science and Innovation Fellow at CY Cergy Paris University, France. His interdisciplinary research is located at the intersection of politics and performance studies, focusing on the concept of populism as a political style.
Anja Hartl is Assistant Professor at the Department of English at the University of Innsbruck, Austria. She is the author of Brecht and Post-1990s British Drama: Dialectical Theatre Today and editor of the Methuen Drama Student Edition of The Threepenny Opera. Her research focuses on contemporary British theatre, Victorian fiction and adaptation studies. She co-edits the Methuen Drama Agitations Series.
William C. Boles holds the Hugh F. and Jeannette G. McKean Chair of English at Rollins College, USA. He edited Theater in a Post-Truth World: Text, Performance, and Politics and After In-Yer-Face: Remnants of a Theatrical Revolution and authored The Argumentative Theatre of Joe Penhall, Understanding David Henry Hwang and Mike Bartlett.
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