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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Phantom Communities reconsiders the status of the simulacrum -- sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model -- in light of recent debates in literature, art, philosophy, and cultural studies.The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, Rene Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raul Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon.On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and,ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context.Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured andeclipsed by its proliferating images. Buchnummer des Verkäufers

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Inhaltsangabe: Phantom Communities reconsiders the status of the simulacrum?sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model?in light of recent debates in literature, art, philosophy, and cultural studies.

The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, René Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raúl Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon.

On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context.

Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images.

Klappentext: ?Phantom Communities develops its arguments with a razor?s edge, and it has the gift of embracing ambivalence, contradiction, undecidability, and other forces with an uncommon sense of affirmation. This book will mark an enduring contribution to French studies in America.? ?Tom Conley,Harvard University

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Verlag: Stanford University Press, Stanford, CA (1998)
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Buchbeschreibung Stanford University Press, Stanford, CA, 1998. Paperback. Buchzustand: Near Fine. 258 pp., 8vo. Paperback. A reconsideration of the simulacrum in context to recent debates in art, philosophy, literature & cultural studies. Some very light soiling & shelfwear to covers & spine. Pgs clean & crisp. Buchnummer des Verkäufers 157344

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Buchbeschreibung Stanford University Press, 1998. PAP. Buchzustand: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IQ-9780804733366

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Buchbeschreibung Stanford University Press, United States, 1998. Paperback. Buchzustand: New. Teacher.. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.Phantom Communities reconsiders the status of the simulacrum-sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model-in light of recent debates in literature, art, philosophy, and cultural studies. The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, Rene Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raul Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon. On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze.In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context. Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images. Buchnummer des Verkäufers APC9780804733366

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Buchbeschreibung Stanford University Press 1/1/1998, 1998. PAPERBACK. Buchzustand: Very Good. 0804733368 crisp clean w/remainder mark. Buchnummer des Verkäufers Z0804733368Z2

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Buchbeschreibung Stanford University Press, 2017. Paperback. Buchzustand: New. This item is printed on demand. Buchnummer des Verkäufers 0804733368

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Buchbeschreibung Stanford University Press, United States, 1998. Paperback. Buchzustand: New. Teacher.. 229 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. Phantom Communities reconsiders the status of the simulacrum-sometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its model-in light of recent debates in literature, art, philosophy, and cultural studies. The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, Rene Magritte, Andy Warhol, J. G. Ballard, Balthus, and Raul Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon. On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze.In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context. Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images. Buchnummer des Verkäufers APC9780804733366

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Buchbeschreibung 1998. PAP. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers TX-9780804733366

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Buchbeschreibung Stanford University Press. Paperback. Buchzustand: New. Paperback. 268 pages. Dimensions: 9.0in. x 6.0in. x 0.6in.Phantom Communities reconsiders the status of the simulacrumsometimes defined as a copy of a copy, but more rigorously defined as a copy that subverts the legitimacy and authority of its modelin light of recent debates in literature, art, philosophy, and cultural studies. The author pursues two interwoven levels of analysis. On one level, he explores the poetics of the simulacrum, considered as a form that internalizes repetition, through close readings of a number of exemplary literary texts, paintings, and films from both the Anglo-American and French traditions, including works by Jean Genet, Pierre Klossowski, Ren Magritte, Andy Warhol, J. G. Ballard, Balthus, and Ral Ruiz. Through his readings of these works, the author follows the transformations of the simulacrum, showing how its vicissitudes provide an optic for remapping the postmodern canon. On another level, the author offers an account of the role played by the simulacrum as a theoretical concept that assumes varying analytical and ideological valences in the writings of such theorists as Jean Baudrillard, Fredric Jameson, Michel Foucault, and Gilles Deleuze. In so doing, Phantom Communities intervenes in ongoing interdisciplinary debates concerning the historical and ideological limits of postmodernism, as well as the utopian possibilities of art, literature, and philosophy in a postmodern context. Moving between these debates and the interpretation of individual works, the author shows how they converge on the fundamental aesthetic and ideological problem raised by the postmodern culture of the simulacrum: imagining the virtual communities that, at the margins of postmodern culture, are at once figured and eclipsed by its proliferating images. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Buchnummer des Verkäufers 9780804733366

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