Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: In The Philosophy of Film Noir, the authors explore the philosophical foundations of neo-noir, using such films as Blade Runner, Reservoir Dogs, Chinatown, and Memento to discuss and explore themes of justice and moral corruption, problems of memory and identity, human nature, crime and punishment, pain and redemption, and spiritual transcendence, among others. Buchnummer des Verkäufers
Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective -- more antihero than hero -- is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.
Über den Autor:
Mark T. Conard, assistant professor of philosophy at Marymount Manhattan College in New York City, is the editor or coeditor of many books, including The Philosophy of Film Noir and The Simpsons and Philosophy.
Buchbeschreibung University Press of Kentucky, Lexington Kentucky, 2007. Trade Paperback. Buchzustand: Fine. First Paperback Edition. 213 pp. Like new, no spine creases. Text clean. A collection of 15 articles exploring links between neo-noir film and television and various themes of modern philosophy Size: 8vo-- 9 in Tall. Buchnummer des Verkäufers 009693
Buchbeschreibung University Press of Kentucky. Buchzustand: Good. Buchnummer des Verkäufers H-06-03343
Buchbeschreibung The University Press of Kentucky, 2007. Hardcover. Buchzustand: Used: Very Good. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Small stain to top page ends, otherwise as new. Ships daily. Buchnummer des Verkäufers 1504300024
Buchbeschreibung University Press of Kentucky, 2007. hardcover. Buchzustand: New. Zustand des Schutzumschlags: New. 0.9 x 9.1 x 6.2 Inches. 213 pp; Brand new book; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books. Buchnummer des Verkäufers 83173
Buchbeschreibung The University Press of Kentucky, 2007. Hardcover. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0813124220
Buchbeschreibung The University Press of Kentucky, 2007. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0813124220
Buchbeschreibung University Press of Kentucky, 2007. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0813124220
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97808131242234.0
Buchbeschreibung The University Press of Kentucky, 2006. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IP-9780813124223
Buchbeschreibung The University Press of Kentucky, 2006. HRD. Buchzustand: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Buchnummer des Verkäufers IP-9780813124223