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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: One hundred and twenty prints by Picasso from the collection of the Simon Norton Museum are presented in this highly readable, fully illustrated, and scholarly catalogue which accompanies the exhibition at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, at the Toledo Museum of Art, and at the Simon Norton Museum.After a hiatus in printmaking during the turmoil of the Second World War, Picasso discovered lithography in the workshop of Fernand Mourlot. Within a few years, he created some of his most innovative lithographs, such as The Bull, and Two Nude Women. These are presented in a series of radically revised working proofs. Picasso's focus on lithography continued through the 1950s, with the masterful and subtle The Dove, and large naturalistic portraits of Francoise Gilot and later of JacquelineRoque. In all, some thirty-five lithographs are included in the selection, showing Picasso's range of artistry.By 1958 his attention was caught by the linocut. The first major linocut, the famous Young Woman, After Lucas Cranach, delights in its bright colours and decorative lines. Twelve color linocuts are presented, ranging from monumental heads and dynamic bullfight scenes to light-hearted bachanals with fauns and dancing nymphs.In the mid-1960s Picasso returned to intaglio, the medium he preferred. His printmaking career closed with two large suites of prints. The catalogue concludes with twenty-five etchings from Suite 347, prints created in a diary-like form over six months, when he was eighty-seven years old. In these ironic - often ribals - prints, the artist ruminated on his life and work, his celebrity and anxieties, and on his relation to such famous artists as El Greco, Ingres, Delacroix, and Manet.The prints include highlights from all major areas of Picasso's graphic work, and are presented here in rare depth. Picasso's formidable printmaking accomplishments cover a range of activity in varied techniques from 1905 to 1970. The prints of 1905 through the 1920s show an initial exploration of themes that he developed in more complex form in later prints, drawings and paintings. During the 1930s Picasso became fully engaged in etching, creating three important suites: Ovid's Metamorphoses; Balzac's Le chef d'oeuvre inconnu; and the Suite Vollard, which reshapes and intertwines the thems of the first two suites in a prolonged meditation on the artist and his model.Each of the five essays in this book focuses on a particular aspect of Picasso's printmaking activity, beginning with Betsy Fryberger's overview of his prodigious and onnovative practices. Gloria Williams describes the method of Simon Norton's collecting of Picasso prints. Clinton Adams, an expert practitioner of lithography, explains the technique of the innovative lithographs of the late 1940s. Pat Gilmour analyzes and documents Picasso's attention to his mistress Marie-Theres Walter. David Carrier writes of performance and the artist as performer. Buchnummer des Verkäufers

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Inhaltsangabe: One hundred and twenty prints by Picasso from the collection of the Simon Norton Museum are presented in this highly readable, fully illustrated, and scholarly catalogue which accompanies the exhibition at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, at the Toledo Museum of Art, and at the Simon Norton Museum.

After a hiatus in printmaking during the turmoil of the Second World War, Picasso discovered lithography in the workshop of Fernand Mourlot. Within a few years, he created some of his most innovative lithographs, such as The Bull, and Two Nude Women. These are presented in a series of radically revised working proofs. Picasso's focus on lithography continued through the 1950s, with the masterful and subtle The Dove, and large naturalistic portraits of Francoise Gilot and later of Jacqueline Roque. In all, some thirty-five lithographs are included in the selection, showing Picasso's range of artistry.

By 1958 his attention was caught by the linocut. The first major linocut, the famous Young Woman, After Lucas Cranach, delights in its bright colours and decorative lines. Twelve color linocuts are presented, ranging from monumental heads and dynamic bullfight scenes to light-hearted bachanals with fauns and dancing nymphs.

In the mid-1960s Picasso returned to intaglio, the medium he preferred. His printmaking career closed with two large suites of prints. The catalogue concludes with twenty-five etchings from Suite 347, prints created in a diary-like form over six months, when he was eighty-seven years old. In these ironic - often ribals - prints, the artist ruminated on his life and work, his celebrity and anxieties, and on his relation to such famous artists as El Greco, Ingres, Delacroix, and Manet.

The prints include highlights from all major areas of Picasso's graphic work, and are presented here in rare depth. Picasso's formidable printmaking accomplishments cover a range of activity in varied techniques from 1905 to 1970. The prints of 1905 through the 1920s show an initial exploration of themes that he developed in more complex form in later prints, drawings and paintings. During the 1930s Picasso became fully engaged in etching, creating three important suites: Ovid's Metamorphoses; Balzac's Le chef d'oeuvre inconnu; and the Suite Vollard, which reshapes and intertwines the thems of the first two suites in a prolonged meditation on the artist and his model.

Each of the five essays in this book focuses on a particular aspect of Picasso's printmaking activity, beginning with Betsy Fryberger's overview of his prodigious and onnovative practices. Gloria Williams describes the method of Simon Norton's collecting of Picasso prints. Clinton Adams, an expert practitioner of lithography, explains the technique of the innovative lithographs of the late 1940s. Pat Gilmour analyzes and documents Picasso's attention to his mistress Marie-Theres Walter. David Carrier writes of performance and the artist as performer.

Review: Pablo Picasso is indisputably one of the great artists of the 20th century. This handsome volume is a fine introduction to a legendary figure and includes more than 60 plates of his masterpieces as well as some lesser-known works. Find out where Picasso got his inspiration and what role he played in the artistic revolution known as cubism. You'll enjoy following the evolution of Picasso's art and will marvel at his highly personal, expressionistic style.

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Fryberger, Betsy and etc. and et al
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Buchbeschreibung Philip Wilson Publishers Ltd, 1998. Hardcover. Buchzustand: Used; Very Good. Buchnummer des Verkäufers 2306746

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Buchbeschreibung Hardback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR004671238

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Betsy Fryberger
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Buchbeschreibung Philip Wilson Publishers Ltd 21/11/1998, 1998. Hardcover. Buchzustand: Very Good. some shelfwear with knocks to the edge but does not affect the content. Book. Buchnummer des Verkäufers 132013-1

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Fryberger, Betsy G.
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Buchbeschreibung Philip Wilson Publishers, London, 1998. Hard Cover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. First U.K.Hardback Edition. 290 x 230mm. pp. 175. English text. Volume showcasing Picasso prints from the Norton Simon Museum. Published to accompany a touring exhibition during 1999/2000. Colour and black and white illustrations. Bound in original blue boards. Housed in pictorial dust jacket. Light bum to bottom right corner of front board, otherwise clean. Binding strong. Dust jacket protected with removable mylar cover. No ownership inscription or underlining. 1.13kg. Extra postage overseas. Buchnummer des Verkäufers 035325

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Fryberger, Betsy G.
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Buchbeschreibung Philip Wilson Publishers, 2003. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. hardback, a very good tightly bound clean and unmarked copy in a very good pictorial dust wrapper, coloured and b&w illustrations, 176pp. Buchnummer des Verkäufers 198907

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Fryberger Betsy G; Williams Gloria; Adams Clinton; Carrier David and Pat Gilmour
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Buchbeschreibung Philip Wilson, London and New York, 1998. Cloth. Buchzustand: Very Good in Very Good DJ. 175 pp., 4to. Cloth hardcover in dj. Slight flexing & shelfwear to bards. Very light cocking & shaking to spine but binding very sturdy. Foxing to textblock top edge. Textblock clean & crisp. Very light scuffing & shelfwear to dj. Buchnummer des Verkäufers 154873

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Buchbeschreibung Prints from the Norton Simon Museum. London, Philip Wilson 1998. 175 S., OPappband m. OUmschlag. 4to. Gutes Exemplar. Buchnummer des Verkäufers 83694

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Buchbeschreibung Philip Wilson Publishers. Hardcover. Buchzustand: Very Good. 085667494X Crisp, clean, unread hardcover with light shelfwear to the dust jacket and a publisher's mark to one edge - Nice!. Buchnummer des Verkäufers Z085667494XZ2

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Buchbeschreibung Philip Wilson Publishers. Hardcover. Buchzustand: Good. 085667494X Never Read-LIsted USED bc it has NO DUST JACKET- I ship FAST!. Buchnummer des Verkäufers SKU000004997

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Buchbeschreibung Philip Wilson Publishers Ltd, London, 1998. Cloth. Buchzustand: Very Good +. Zustand des Schutzumschlags: Very Good +. First Edition. A clean and unmarked copy. Size: 4to - over 9¾" - 12" tall. Buchnummer des Verkäufers 30172

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