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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Edited collection exploring the use and implication of war posters during WWI. Buchnummer des Verkäufers

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Inhaltsangabe: The First World War was waged through the participation not just of soldiers but of men, women, and children on the home front. Mass-produced, full-color, large-format war posters were both a sign and an instrument of this historic shift in warfare. War posters celebrated, in both their form and content, the modernity of the conflict. They also reached an enormous international audience through their prominent display and continual reproduction in pamphlets and magazines in every combatant nation, uniting diverse populations as viewers of the same image and bringing them closer, in an imaginary and powerful way, to the war. Most war posters were aimed particularly at civilian populations. Posters nationalized, mobilized, and modernized those populations, thereby influencing how they viewed themselves and their activities. The home-front life—factory work, agricultural work, domestic work, the consumption and conservation of goods, as well as various forms of leisure—became, through the viewing of posters, emblematic of national identity and of each citizen’s place within the collective effort to win the war.  Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I. Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the reach, meaning, and memory of the war in subtle and pervasive ways.

About the Author: Pearl James is an assistant professor of English at the University of Kentucky.   Contributors: Meg Albrinck, Richard S. Fogarty, Stefan Goebel, Nicoletta F. Gullace, Pearl James, Jakub Kazecki, Jennifer D. Keene, John M. Kinder, Mark Levitch, Jason Lieblang, Andrew Nedd, Jeffrey T. Schnapp, and Jay Winter.

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Verlag: University of Nebraska Press
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Buchbeschreibung University of Nebraska Press. PAPERBACK. Buchzustand: Very Good. 0803226101 unmarked, light shelfwear-NICE. Buchnummer des Verkäufers Z0803226101Z2

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Buchbeschreibung University of Nebraska Press, 2010. Paperback. Buchzustand: Good. Books have varying amounts of wear and highlighting. Usually ships within 24 hours in quality packaging. Satisfaction guaranteed. We are not able to ship internationally. Your satisfaction is guaranteed! Please note that items may contain writing and/or highlighting and may not include CDs, access cards, or other supplementary material. Items ship in quality packaging within 2 business days. Buchnummer des Verkäufers 8800036319648

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Buchbeschreibung UNIVERSITY OF NEBRASKA PRESS, 2009. Soft cover. Buchzustand: Near Fine. SOFTCOVER. TEXT FINE, CLEAN. ILLUSTRATED COVER SHOWS SLIGHT WEAR. PREVIOUS OWNERS ATTRACTIVE BOOK PLATE. Buchnummer des Verkäufers MIL7967B

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Buchbeschreibung University of Nebraska Press. PAPERBACK. Buchzustand: Very Good. 0803226101 Very nice clean used book with no marks. Minimal wear present. (James, +). Buchnummer des Verkäufers SKU1004329

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Buchbeschreibung University of Nebraska Press, 2010. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CA-9780803226104

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Buchbeschreibung University of Nebraska Press, United States, 2010. Paperback. Buchzustand: New. Language: English . Brand New Book. The First World War was waged through the participation not just of soldiers but of men, women, and children on the home front. Mass-produced, full-color, large-format war posters were both a sign and an instrument of this historic shift in warfare. War posters celebrated, in both their form and content, the modernity of the conflict. They also reached an enormous international audience through their prominent display and continual reproduction in pamphlets and magazines in every combatant nation, uniting diverse populations as viewers of the same image and bringing them closer, in an imaginary and powerful way, to the war. Most war posters were aimed particularly at civilian populations. Posters nationalized, mobilized, and modernized those populations, thereby influencing how they viewed themselves and their activities. The home-front life-factory work, agricultural work, domestic work, the consumption and conservation of goods, as well as various forms of leisure-became, through the viewing of posters, emblematic of national identity and of each citizen s place within the collective effort to win the war. Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D.Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I. Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the reach, meaning, and memory of the war in subtle and pervasive ways. Buchnummer des Verkäufers AAJ9780803226104

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Verlag: University of Nebraska Press, United States (2010)
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Buchbeschreibung University of Nebraska Press, United States, 2010. Paperback. Buchzustand: New. Language: English . Brand New Book. The First World War was waged through the participation not just of soldiers but of men, women, and children on the home front. Mass-produced, full-color, large-format war posters were both a sign and an instrument of this historic shift in warfare. War posters celebrated, in both their form and content, the modernity of the conflict. They also reached an enormous international audience through their prominent display and continual reproduction in pamphlets and magazines in every combatant nation, uniting diverse populations as viewers of the same image and bringing them closer, in an imaginary and powerful way, to the war. Most war posters were aimed particularly at civilian populations. Posters nationalized, mobilized, and modernized those populations, thereby influencing how they viewed themselves and their activities. The home-front life-factory work, agricultural work, domestic work, the consumption and conservation of goods, as well as various forms of leisure-became, through the viewing of posters, emblematic of national identity and of each citizen s place within the collective effort to win the war. Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I. Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the reach, meaning, and memory of the war in subtle and pervasive ways. Buchnummer des Verkäufers AAJ9780803226104

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