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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Picturing Heaven in Early China makes an extremely important contribution to the history of Chinese art, culture, and science. Its comprehensive scope and analytical depth, its confident use of both primary textual sources and archeological evidence, its lucid synthesis of a vast array of scholarly literature . . . and above all, its cogent narrative and conceptual scheme make it the most convenient and reliable go-to volume on the subject. Buchnummer des Verkäufers

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Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death.

Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven?as the mandate, the fantasy, and the sky?into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge.

By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.

Inhaltsangabe: Tian, or Heaven, had been used in China since the Western Zhou to indicate both the sky and the highest god. Examining excavated materials, Lillian Tseng shows how Han-dynasty artisans transformed various notions of Heaven?as the mandate, the fantasy, and the sky?into pictorial entities, not by what they looked at, but by what they looked into.

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Tseng, Lillian Lan-ying
Verlag: Harvard University Asia Center, U.S.A. (2011)
ISBN 10: 0674060695 ISBN 13: 9780674060692
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Buchbeschreibung Harvard University Asia Center, U.S.A., 2011. Hardcover. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 4o, publisher's cloth and dust jacket. From the blurb: Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven¿as the mandate, the fantasy, and the sky¿into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed. Buchnummer des Verkäufers 004430

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Buchbeschreibung Harvard University Asia Center, 2011. Buchzustand: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Picturing Heaven in Early China makes an extremely important contribution to the history of Chinese art, culture, and science. Its comprehensive scope and analytical depth, its confident use of both primary textual sources and archeological evidence, its lucid synthesis of a vast array of scholarly literature . . . and above all, its cogent narrative and conceptual scheme make it the most convenient and reliable go-to volume on the subject. Buchnummer des Verkäufers ABE_book_new_0674060695

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Buchbeschreibung Harvard University Asia Center, 2011. Buchzustand: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Picturing Heaven in Early China makes an extremely important contribution to the history of Chinese art, culture, and science. Its comprehensive scope and analytical depth, its confident use of both primary textual sources and archeological evidence, its lucid synthesis of a vast array of scholarly literature . . . and above all, its cogent narrative and conceptual scheme make it the most convenient and reliable go-to volume on the subject. Buchnummer des Verkäufers ABE_book_usedgood_0674060695

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Buchbeschreibung Harvard University Asia Center, 2011. Hardcover. Buchzustand: Used: Good. We ship International with Tracking Number! May not contain Access Codes or Supplements. Buy with confidence, excellent customer service! j. Buchnummer des Verkäufers 0674060695D

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