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Inhaltsangabe: Western painter Maynard Dixon once pronounced “Arizona” “the magic name of a land bright and mysterious, of sun and sand, of tragedy and stark endeavor.” “So long had I dreamed of it,” he professed, “that when I came there it was not strange to me. Its sun was my sun; its ground was my ground.” The California-born Dixon (1875–1946) first traveled to Arizona in 1900 to absorb what he believed was a vanishing West. Dixon found Arizona a visually inspiring and spiritual place that shaped the course of his paintings and ultimately defined him. A Place of Refuge: Maynard Dixon’s Arizona is the first exhibition to focus solely on the renowned painter’s depictions of Arizona subjects.

As early as 1903 Dixon referred to Arizona as home. Although he spent most of his life in San Francisco, Dixon lamented to friends that he longed for Arizona and the solitude of the desert, and he frequently traversed the land’s varied expanses. In 1939 he made Tucson his winter home and spent his remaining years painting his beloved desert landscape. In the confluence of Arizona’s natural and cultural landscapes, Dixon would become one of the West’s most distinctive painters, creating a body of work that established his place among the vanguard of artists who portrayed western subjects.

Thomas Brent Smith explores Dixon’s remarkable departure from traditional depictions of human conflict in the “Old West” rendered by such predecessors as Frederic Remington, Charles M. Russell, and Charles Schreyvogel. Smith’s essay describes this shift in artistic ideology and analyzes the tranquil images that emerged on Dixon’s canvases. Donald J. Hagerty’s biographical essay highlights Dixon’s travels and his affinity for the people and landscape of Arizona.

About the Author: Thomas Brent Smith, Curator of Western American Art and Director of the Petrie Institute of Western American Art at the Denver Art Museum, is author of A Place of Refuge: Maynard Dixon’s Arizona.

Donald J. Hagerty, an independent scholar, is author of Desert Dreams: The Art and Life of Maynard Dixon. 

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Smith, Thomas Brent and Donald J. Hagerty
Verlag: Tucson Museum of Art and Historic Block, Tucson, Ariz (2008)
ISBN 10: 0911611363 ISBN 13: 9780911611366
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Buchbeschreibung Tucson Museum of Art and Historic Block, Tucson, Ariz, 2008. Hardcover. Buchzustand: VG / VG. White cloth over boards; Color illus. dj.; 148 pp.; Profusely illustrated in color. Includes the essay "Evading Conflict: Interpreting Maynard Dixon's Arizona Subjects" by Thomas Brent Smith, which discusses Dixon's departure from the traditional renderings of conflict in the "Old West" style typical of Frederic Remington and others. Also included is a biographical essay, "Sky and Sandstone: Maynard Dixon's Arizona Years" by Donald J. Hagerty. Buchnummer des Verkäufers 142828

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Smith, Thomas B.
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Buchbeschreibung Tucson Museum of Art. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2394216

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Smith, Thomas Brent
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Buchbeschreibung 2008. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780911611366

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Smith, Thomas Brent
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Buchbeschreibung UNIV OF OKLAHOMA PR, 2008. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780911611366

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Smith, Thomas Brent; Hagerty, Donald J. (aditional Essay).
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Buchbeschreibung Hardcover. Buchzustand: New. Reprint Edition.. 160 pages. Hardcover with dustjacket. New book. ARIZONA. Depictions of Arizona by a preeminent artist of the American West. Western painter Maynard Dixon once pronounced "ArizonaÑThe magic name of a land bright and mysterious, of sun and sand, of tragedy and stark endeavor. So long had I dreamed of it," he professed, "that when I came there it was not strange to me. Its sun was my sun; its ground was my ground." The California-born Dixon (1875-1946) first traveled to Arizona in 1900 to absorb what he believed was a vanishing West. Dixon found Arizona a visually inspiring and spiritual place that shaped the course of his paintings and ultimately defined him. A Place of Refuge: Maynard Dixon's Arizona is the first publication and eponymous exhibition to focus solely on the renowned painter's depictions of Arizona subjects. As early as 1903 Dixon referred to Arizona as home. Although he spent most of his life in San Francisco, Dixon lamented to friends that he longed for Arizona and the solitude of the desert, and he frequently traversed the land's varied expanses. In 1939 he made Tucson his winter home and spent his remaining years painting his beloved desert landscape. In the confluence of Arizona's natural and cultural landscapes, Dixon would become one of the West's most distinctive painters, creating a body of work that established his place among the vanguard of artists who portrayed western subjects. Thomas Brent Smith explores Dixon's remarkable departure from traditional depictions of human conflict in the "Old West" rendered by such predecessors as Frederic Remington, Charles M. Russell, and Charles Schreyvogel. Smith's essay describes this shift in artistic ideology and analyzes the tranquil images that emerged on Dixon's canvases. Donald J. Hagerty's biographical essay highlights Dixon's travels and his affinity for the people and landscape of Arizona. Thomas Brent Smith is Curator of Art of the American West at the Tucson Museum of Art. Donald J. Hagerty, an independent scholar, is author of Desert Dreams: The Art and Life of Maynard Dixon. (Key Words: Maynard Dixon, Thomas Brent Smith, Donald J. Hagerty, Arizona, American West, American Artists, Art). book. Buchnummer des Verkäufers 63244X4

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Thomas Brent Smith
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Buchbeschreibung Tucson Art Museum, United States, 2008. Hardback. Buchzustand: New. Language: English . Brand New Book. Western painter Maynard Dixon once pronounced -Arizona- -the magic name of a land bright and mysterious, of sun and sand, of tragedy and stark endeavor.- -So long had I dreamed of it, - he professed, -that when I came there it was not strange to me. Its sun was my sun; its ground was my ground.- The California-born Dixon (1875-1946) first traveled to Arizona in 1900 to absorb what he believed was a vanishing West. Dixon found Arizona a visually inspiring and spiritual place that shaped the course of his paintings and ultimately defined him. A Place of Refuge: Maynard Dixon s Arizona is the first exhibition to focus solely on the renowned painter s depictions of Arizona subjects.As early as 1903 Dixon referred to Arizona as home. Although he spent most of his life in San Francisco, Dixon lamented to friends that he longed for Arizona and the solitude of the desert, and he frequently traversed the land s varied expanses. In 1939 he made Tucson his winter home and spent his remaining years painting his beloved desert landscape. In the confluence of Arizona s natural and cultural landscapes, Dixon would become one of the West s most distinctive painters, creating a body of work that established his place among the vanguard of artists who portrayed western subjects. Thomas Brent Smith explores Dixon s remarkable departure from traditional depictions of human conflict in the -Old West- rendered by such predecessors as Frederic Remington, Charles M. Russell, and Charles Schreyvogel. Smith s essay describes this shift in artistic ideology and analyzes the tranquil images that emerged on Dixon s canvases. Donald J. Hagerty s biographical essay highlights Dixon s travels and his affinity for the people and landscape of Arizona. Buchnummer des Verkäufers AAC9780911611366

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Thomas Brent Smith
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Buchbeschreibung Tucson Art Museum, United States, 2008. Hardback. Buchzustand: New. Language: English . Brand New Book. Western painter Maynard Dixon once pronounced -Arizona- -the magic name of a land bright and mysterious, of sun and sand, of tragedy and stark endeavor.- -So long had I dreamed of it, - he professed, -that when I came there it was not strange to me. Its sun was my sun; its ground was my ground.- The California-born Dixon (1875-1946) first traveled to Arizona in 1900 to absorb what he believed was a vanishing West. Dixon found Arizona a visually inspiring and spiritual place that shaped the course of his paintings and ultimately defined him. A Place of Refuge: Maynard Dixon s Arizona is the first exhibition to focus solely on the renowned painter s depictions of Arizona subjects.As early as 1903 Dixon referred to Arizona as home. Although he spent most of his life in San Francisco, Dixon lamented to friends that he longed for Arizona and the solitude of the desert, and he frequently traversed the land s varied expanses. In 1939 he made Tucson his winter home and spent his remaining years painting his beloved desert landscape. In the confluence of Arizona s natural and cultural landscapes, Dixon would become one of the West s most distinctive painters, creating a body of work that established his place among the vanguard of artists who portrayed western subjects. Thomas Brent Smith explores Dixon s remarkable departure from traditional depictions of human conflict in the -Old West- rendered by such predecessors as Frederic Remington, Charles M. Russell, and Charles Schreyvogel. Smith s essay describes this shift in artistic ideology and analyzes the tranquil images that emerged on Dixon s canvases. Donald J. Hagerty s biographical essay highlights Dixon s travels and his affinity for the people and landscape of Arizona. Buchnummer des Verkäufers AAC9780911611366

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Smith, Thomas Brent
Verlag: Tucson Museum of Art, Tucson, Arizona (2008)
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Buchbeschreibung Tucson Museum of Art, Tucson, Arizona, 2008. Hardcover. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Original cloth and dustwrapper, 148pp, illustrated in colour, with a biographical essay by Donald J Hagerty, followed by a chronological folio of Dixon's Arizona works from the early drawings of Native American subjects and scenes made in 1900 to the gentle and eloquent landscapes of his final years. A scarce title. Personal blank ex libris sticker on fep. Size: 4to - over 9¾ - 12" tall. Book. Buchnummer des Verkäufers X013096

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Buchbeschreibung Tucson Museum of Art, 2008. Hardcover. Buchzustand: New. Never used!. Buchnummer des Verkäufers 0911611363

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Thomas Brent Smith, Donald J Hagerty,
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Buchbeschreibung Tucson Art Museum November 2008, 2008. Hardcover. Buchzustand: New. Western painter Maynard Dixon once pronounced 'Arizona' 'the magic name of a land bright and mysterious, of sun and sand, of tragedy and stark endeavor.' 'So long had I dreamed of it,' he professed, 'that when I came there it was not strange to me. Its sun was my sun; its ground was my ground.' The California-born Dixon (1875-1946) first traveled to Arizona in 1900 to absorb what he believed was a vanishing West. Dixon found Arizona a visually inspiring and spiritual place that shaped the course of his paintings and ultimately defined him. 'A Place of Refuge: Maynard Dixon's Arizona' is the first exhibition to focus solely on the renowned painter's depictions of Arizona subjects. As early as 1903 Dixon referred to Arizona as home. Although he spent most of his life in San Francisco, Dixon lamented to friends that he longed for Arizona and the solitude of the desert, and he frequently traversed the land's varied expanses. In 1939 he made Tucson his winter home and spent his remaining years painting his beloved desert landscape. In the confluence of Arizona's natural and cultural landscapes, Dixon would become one of the West's most distinctive painters, creating a body of work that established his place among the vanguard of artists who portrayed western subjects. Thomas Brent Smith explores Dixon's remarkable departure from traditional depictions of human conflict in the 'Old West' rendered by such predecessors as Frederic Remington, Charles M. Russell, and Charles Schreyvogel. Smith's essay describes this shift in artistic ideology and analyzes the tranquil images that emerged on Dixon's canvases. Donald J. Hagerty's biographical essay highlights Dixon's travels and his affinity for the people and landscape of Arizona. Western painter Maynard Dixon once pronounced 'Arizona' 'the magic name of a land bright and mysterious, of sun and sand, of tragedy and stark endeavor.' 'So long had I dreamed of it,' he professed, 'that when I came there it was not strange to me. Its sun was my sun; its ground was my ground.' The California-born Dixon (1875-1946) first traveled to Arizona in 1900 to absorb what he believed was a vanishing West. Dixon found Arizona a visually inspiring and spiritual place that shaped the course of his paintings and ultimately defined him. 'A Place of Refuge: Maynard Dixon's Arizona' is the first exhibition to focus solely on the renowned painter's depictions of Arizona subjects. Buchnummer des Verkäufers 124174

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