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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: "Playing Culture" represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today's mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders' meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships - all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. "Playing Culture - Conventions and Extensions of Performance" is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled "Theatrical Events - Borders Dynamics Frames" was published in 2004, followed by "Festivalising Theatrical Events, Politics and Culture" in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events. Buchnummer des Verkäufers

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Inhaltsangabe: Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today's mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders' meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships - all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture - Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events - Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events.

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Edited by Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Willmar Sauter
Verlag: Rodopi
ISBN 10: 9042037903 ISBN 13: 9789042037908
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Buchbeschreibung Rodopi. Buchzustand: Like New. 2014 - Paperback - Used - Like New - - Minor shelf-wear on cover. Otherwise, volume un-read with no underlining or highlighting. - -. Buchnummer des Verkäufers SH-03-6-0012

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Edited by Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Willmar Sauter
Verlag: Brill | Rodopi (2014)
ISBN 10: 9042037903 ISBN 13: 9789042037908
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Buchbeschreibung Brill | Rodopi, 2014. Paperback. Buchzustand: Very Good. Buchnummer des Verkäufers mon0001337632

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Vicki Ann Cremona, Rikard Hoogland, Gay Morris, Willmar Sauter
Verlag: Brill
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Buchbeschreibung Brill. Paperback. Buchzustand: new. BRAND NEW, Playing Culture: Conventions and Extensions of Performance, Vicki Ann Cremona, Rikard Hoogland, Gay Morris, Willmar Sauter, Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today's mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders' meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships - all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture - Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events - Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events. Buchnummer des Verkäufers B9789042037908

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PLAYING CULTURE -
Verlag: BRILL (2014)
ISBN 10: 9042037903 ISBN 13: 9789042037908
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Buchbeschreibung BRILL, 2014. Paperback. Buchzustand: NEW. 9789042037908 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE0828156

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Verlag: Brill, Netherlands (2014)
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Buchbeschreibung Brill, Netherlands, 2014. Paperback. Buchzustand: New. 226 x 150 mm. Language: English . Brand New Book. Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today s mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships - all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture - Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events - Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events. Buchnummer des Verkäufers AAN9789042037908

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Verlag: Brill, Netherlands (2014)
ISBN 10: 9042037903 ISBN 13: 9789042037908
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Buchbeschreibung Brill, Netherlands, 2014. Paperback. Buchzustand: New. 226 x 150 mm. Language: English . Brand New Book. Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Research (IFTR). In this volume, thirteen scholars contribute to illuminate the significance and possibilities of playing within the framework of theatrical events. Playing is understood as an essential part of theatrical communication, from acting on stage to events far from theatre buildings. The playfulness characterizing academic traditions sets the tone in the introduction, illustrating the four sections of the book: Theories, Expansions, Politics and Conventions. The theoretical chapters depart from the classical Homo Ludens and offer a number of new perspectives on what play and playing implies in today s mediatized culture. The contributions to the second section on extensions, deal with playing in non-theatrical circumstances such as market places, passports and stock holders meetings. The third section on the politics of playing focuses on wood-chopping women, saints and youngsters in South African townships - all demonstrating their social and political ambitions and purposes. The last section returns to the stage on which performers intend to represent, respectively, themselves, Bunraku puppets or the audience. Playing appears in many forms and in many places and constitutes a basic principle of theatre and performance. This book touches upon important theoretical implications of playing and offers a wide range of historical and contemporary examples. Playing Culture - Conventions and Extensions of Performance is the third book of the IFTR Working Group on The Theatrical Event. The first volume, entitled Theatrical Events - Borders Dynamics Frames was published in 2004, followed by Festivalising! Theatrical Events, Politics and Culture in 2007. The present volume continues to expand the vision of the Theatrical Event as a theory and model for the study of playing, theatre, performance and mediated events. Buchnummer des Verkäufers AAN9789042037908

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Verlag: Editions Rodopi B.V. (2014)
ISBN 10: 9042037903 ISBN 13: 9789042037908
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Buchbeschreibung Editions Rodopi B.V., 2014. Paperback. Buchzustand: Brand New. 291 pages. 9.25x6.25x1.25 inches. In Stock. Buchnummer des Verkäufers z-9042037903

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Buchbeschreibung 2014. Paperback. Buchzustand: New. 15mm x 22mm x 15mm. Paperback. Playing Culture represents one of the corner stones in the model of the Theatrical Event, as developed by the Working Group of the International Federation for Theatre Researc.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 291 pages. 0.039. Buchnummer des Verkäufers 9789042037908

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Vicki Ann Cremona
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Buchbeschreibung see description. Buchzustand: New. This item might Printed on Demand, please check. ISBN: 9789042037908. Publisher : Brill | Rodopi. Volume Editor : Vicki Ann Cremona. Publication date: 01-Jan-2014. Binding: Paperback. Number of pages: 292. Buchnummer des Verkäufers HGB-2206

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Cremona, Vicki Ann (EDT)/ Hoogland, Rikard (EDT)/ Morris, Gay (EDT)/ Sauter, Willmar (EDT)
Verlag: Brill Academic Pub (2014)
ISBN 10: 9042037903 ISBN 13: 9789042037908
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Buchbeschreibung Brill Academic Pub, 2014. Paperback. Buchzustand: New. 15.88 x 23.5 cm. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Book. Buchnummer des Verkäufers MM-26751966

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