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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Using as his starting point the historical notion that poets may be, at least in moments of inspiration, "out of their senses," Frederick Burwick here explores the theoretical implications of inspiration as furor poeticus, particularly as that concept was presented during the latter eighteenth and early nineteenth centuries. Drawing on social and medical attitudes toward madness and the so-called poetic rapture, Burwick addresses the appeal to poetic madness in critical theory, the thematization of the mad poet in literature, and the reception of mad poets. With a mad king on the throne of England, mad prophets in the marketplace, and mad poets in their midst, many writers of this period, not surprisingly, used their fiction to explore the conditions of madness. In discussing the mad poet as a character in Romantic literature, Burwick examines the reception and representation of the Italian poet Torquato Tasso in Goethe's play and in the poetry and criticism of the Schlegels, Byron, Shelley,Peacock, and Hazlitt. In his commentary on narratives of madness, Burwick discusses Nodier's Jean-Frangois les bas-bleus, Hoffmann's Der Goldne Topf, Shelley's Julian and Maddalo, and Blake's account of the struggle between Los and Urizen. The final section interprets the visual strategies adopted by Hvlderlin, Nerval, and Clare in relating their visionary experiences. Buchnummer des Verkäufers

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Using as his starting point the historical notion that poets may be, at least in moments of inspiration, "out of their senses," Frederick Burwick here explores the theoretical implications of inspiration as furor poeticus, particularly as that concept was presented during the latter eighteenth and early nineteenth centuries. Drawing on social and medical attitudes toward madness and the so-called poetic rapture, Burwick addresses the appeal to poetic madness in critical theory, the thematization of the mad poet in literature, and the reception of mad poets.

With a mad king on the throne of England, mad prophets in the marketplace, and mad poets in their midst, many writers of this period, not surprisingly, used their fiction to explore the conditions of madness. In discussing the mad poet as a character in Romantic literature, Burwick examines the reception and representation of the Italian poet Torquato Tasso in Goethe's play and in the poetry and criticism of the Schlegels, Byron, Shelley, Peacock, and Hazlitt. In his commentary on narratives of madness, Burwick discusses Nodier's Jean-François les bas-bleus, Hoffmann's Der goldne Topf, Shelley's Julian and Maddalo, and Blake's account of the struggle between Los and Urizen. The final section interprets the visual strategies adopted by Hölderlin, Nerval, and Clare in relating their visionary experiences.

Über den Autor:

Frederick Burwick is Professor of English and Comparative Literature at the University of California, Los Angeles. He is the author of, most recently, Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era (Penn State, 1991) and editor (with Paul Douglass) of The Crisis of Modernism: Bergson and the Vitalist Controversy (1992) and (with Walter Pape) Reflecting Senses: Perception and Appearance in Literature, Culture, and the Arts (1995).

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ISBN 10: 0271026227 ISBN 13: 9780271026220
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Burwick, Frederick, Professor
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Buchbeschreibung Pennsylvania State University Press 1992-04-30, 1992. PF. Buchzustand: New. Buchnummer des Verkäufers NU-LSI-06903851

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Buchbeschreibung Pennsylvania State Univ Pr. Buchzustand: BRAND NEW. BRAND NEW Softcover - This title is now printed on demand - please allow added time for shipment! A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2024539

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Buchbeschreibung PENN S.U., 2017. paperback. Buchzustand: NEW. 9780271026220 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Print on Demand title, produced to the highest standard, and there would be a delay in dispatch of around 10 working days. Buchnummer des Verkäufers HTANDREE01270076

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Buchbeschreibung Pennsylvania State University Press, United States, 2004. Paperback. Buchzustand: New. 223 x 150 mm. Language: English Brand New Book ***** Print on Demand *****.Using as his starting point the historical notion that poets may be, at least in moments of inspiration, out of their senses, Frederick Burwick here explores the theoretical implications of inspiration as furor poeticus, particularly as that concept was presented during the latter eighteenth and early nineteenth centuries. Drawing on social and medical attitudes toward madness and the so-called poetic rapture, Burwick addresses the appeal to poetic madness in critical theory, the thematization of the mad poet in literature, and the reception of mad poets. With a mad king on the throne of England, mad prophets in the marketplace, and mad poets in their midst, many writers of this period, not surprisingly, used their fiction to explore the conditions of madness. In discussing the mad poet as a character in Romantic literature, Burwick examines the reception and representation of the Italian poet Torquato Tasso in Goethe s play and in the poetry and criticism of the Schlegels, Byron, Shelley, Peacock, and Hazlitt. In his commentary on narratives of madness, Burwick discusses Nodier s Jean-Francois les bas-bleus, Hoffmann s Der goldne Topf, Shelley s Julian and Maddalo, and Blake s account of the struggle between Los and Urizen. The final section interprets the visual strategies adopted by Holderlin, Nerval, and Clare in relating their visionary experiences. Buchnummer des Verkäufers AAV9780271026220

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Buchbeschreibung Pennsylvania State University Press, United States, 2004. Paperback. Buchzustand: New. 223 x 150 mm. Language: English . Brand New Book ***** Print on Demand *****. Using as his starting point the historical notion that poets may be, at least in moments of inspiration, out of their senses, Frederick Burwick here explores the theoretical implications of inspiration as furor poeticus, particularly as that concept was presented during the latter eighteenth and early nineteenth centuries. Drawing on social and medical attitudes toward madness and the so-called poetic rapture, Burwick addresses the appeal to poetic madness in critical theory, the thematization of the mad poet in literature, and the reception of mad poets. With a mad king on the throne of England, mad prophets in the marketplace, and mad poets in their midst, many writers of this period, not surprisingly, used their fiction to explore the conditions of madness. In discussing the mad poet as a character in Romantic literature, Burwick examines the reception and representation of the Italian poet Torquato Tasso in Goethe s play and in the poetry and criticism of the Schlegels, Byron, Shelley, Peacock, and Hazlitt. In his commentary on narratives of madness, Burwick discusses Nodier s Jean-Francois les bas-bleus, Hoffmann s Der goldne Topf, Shelley s Julian and Maddalo, and Blake s account of the struggle between Los and Urizen. The final section interprets the visual strategies adopted by Holderlin, Nerval, and Clare in relating their visionary experiences. Buchnummer des Verkäufers AAV9780271026220

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