Pop Life: Art in a Material World. Dieser Artikel ist nicht verfügbar.
Jack Bankowsky,Alison Gingeras,Catherine Wood
Sprache: Englisch
Verlag: Tate Publishing, 2009
- Hardcover
- Gebraucht
Anbieter: Sell Books, Elland, Yorks, Vereinigtes KönigreichSell Books
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Bestandsnummer des Verkäufers P-BN100061-RAG-20240425-A
- Titel
- Pop Life: Art in a Material World
- Autor
- Jack Bankowsky,Alison Gingeras,Catherine Wood
- Verlag
- Tate Publishing
- Erscheinungsjahr
- 2009
- Zustand
- Acceptable
- Schutzumschlag
- Schutzumschlag
- Einband
- hardcover
- Sprache
- Englisch
- ISBN-10
- 1854378333
- ISBN-13
- 9781854378330
Provocative and entertaining, Pop Life examines how artists since the 1980s have cultivated their public persona as a product, and conjured a dazzling mix of media, commerce, and glamour to build their own ?brands. Beginning with the grandfather of Pop, Andy Warhol, who manufactured mass-produced wares in The Factory in the 1960s, the book explores Jeff Koons' infamous Made in Heaven series?showcasing his marriage and sexual relations with Italian porn-star and latter-day politician Illona Staller (aka La Cicciolina)?and his stainless steel Rabbit sculpture; an iconic array of golden spot and butterfly paintings from Damien Hirst's recordbreaking 2008 auction; and a reconstruction of Keith Haring's Pop Shop in New York. Takashi Murakamis designs for Louis Vuitton are also included, along with works by Richard Prince, Martin Kippenberger, Tracey Emin, and many more.
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Über die Autorin bzw. den Autor
Catherine Wood is Director of Programme at Tate Modern, and curator of contemporary art and performance. At Tate she has co-curated numerous exhibitions including The World as a Stage (2007), Pop Life (2010) and A Bigger Splash: Painting after Performance (2012), as well as co-directing the opening programme for the Tate Tanks in 2012 titled, Art in Action. She has programmed numerous performance works at Tate since 2003, including works by Mark Leckey, Joan Jonas, Guy de Cointet, Jiri Kovanda and Sturtevant, and initiated the online project, Performance Room in 2011. Wood is author of Yvonne Rainer: The Mind is a Muscle (2007, Afterall/MIT Press). A regular contributor to Afterall, Artforum and Mousse magazines, she has also written numerous catalogue essays, recently on Joachim Koester, Piotr Uklanski and Sung Hwan Kim.
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