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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy's eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer's experience is central to De Jong's approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters' advisors did their best to "manipulate" the viewer accordingly, and De Jong discusses their strategies and methods. Buchnummer des Verkäufers

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Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy’s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer’s experience is central to De Jong’s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and they would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters’ advisors did their best to “manipulate” the viewer accordingly, and De Jong discusses their strategies and methods.

About the Author:

Jan L. de Jong is Associate Professor of Art History at the University of Groningen.

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de Jong, Jan L.
Verlag: Penn State University Press (2013)
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Buchbeschreibung Penn State University Press, 2013. Hardcover. Buchzustand: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Buchnummer des Verkäufers mon0000933414

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Buchbeschreibung University Park: Pennsylvania State University Press, 2013. xiii, 191 pp.; 123 color and black-and-white plates. Hardcover with DJ. Unread, as new. New list price: $80.00. Buchnummer des Verkäufers HB1572

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Buchbeschreibung Penn State University Press, 2013. Hardcover. Buchzustand: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Buchnummer des Verkäufers mon0001017664

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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 19198491-n

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Buchbeschreibung Penn State University Press, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CW-9780271050799

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Buchbeschreibung Pennsylvania State University Press, United States, 2013. Hardback. Buchzustand: New. Language: English . Brand New Book. Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer s experience is central to De Jong s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and they would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters advisors did their best to manipulate the viewer accordingly, and De Jong discusses their strategies and methods. Buchnummer des Verkäufers AAR9780271050799

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Buchbeschreibung Penn State University Press. Hardcover. Buchzustand: New. New copy - Usually dispatched within 2 working days. Buchnummer des Verkäufers B9780271050799

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Buchbeschreibung Buchzustand: Good. The Power and the Glorification: Papal Pretensions and the Art of Propaganda in the Fifteenth and Sixteenth Centuries. Buchnummer des Verkäufers Amz5045879

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Buchbeschreibung Pennsylvania State Univ Pr. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Buchnummer des Verkäufers 2572634

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Buchbeschreibung Pennsylvania State University Press, United States, 2013. Hardback. Buchzustand: New. Language: English . Brand New Book. Focusing on a turbulent time in the history of the Roman Catholic Church, The Power and the Glorification considers how, in the fifteenth and sixteenth centuries, the papacy employed the visual arts to help reinforce Catholic power structures. All means of propaganda were deployed to counter the papacy s eroding authority in the wake of the Great Schism of 1378 and in response to the upheaval surrounding the Protestant Reformation a century later. In the Vatican and elsewhere in Rome, extensive decorative cycles were commissioned to represent the strength of the church and historical justifications for its supreme authority. Replicating the contemporary viewer s experience is central to De Jong s approach, and he encourages readers to consider the works through fifteenth- and sixteenth-century eyes. De Jong argues that most visitors would only have had a limited knowledge of the historical events represented in these works, and they would likely have accepted (or been intended to accept) what they saw at face value. With that end in mind, the painters advisors did their best to manipulate the viewer accordingly, and De Jong discusses their strategies and methods. Buchnummer des Verkäufers AAR9780271050799

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