No one before or after Kurt Tucholsky has captured the horrors of the "Great War," as World War I was known, quite like he did. The famed Weimar writer, who would become one of Germany's best-known satirist and journalists, describes surviving in the trenches and fighting a losing battle, the arrogance of the officers and the desperation of the loved ones back home. His writing is similar to that of Heinrich Heine, his role model, in that it appears superficially simple but is replete with hidden meanings. His works are touching, stirring, and precisely to the point. He brings alive the war that still looms even into our own 21st century. This is the first bilingual anthology in German and in English of his works on World War I.
Kurt Tucholsky's Prayer After the Slaughter is a book by Berlinica Publishing LLC, a multi-media publishing house based in New York City. Berlinica offers English-language books from Berlin, German; fiction, non-fiction, travel guides, history about the Wall and the Third Reich, Jewish life, art, architecture and photography, as well as books about nightlife, cookbooks, and maps. It also offers documentaries and feature films on DVD, as well as music CDs. Berlinica caters to history buffs, Americans of German heritage, travelers, and artists and young people who love the cutting-edge city in the heart of Europe. Berlinica cooperates with Berlin-based publishing houses and tourist organizers.
Berlinica's current and upcoming titles include "Our West Berlin," by various authors, also five translated books by famed Weimar author Kurt Tucholsky as well as Harold Poor's landmark biography of Tucholsky, two translated plays by Ernst Toller, and two American travel stories by Alfred Kerr and Roda Roda, soon to be followed by Egon Erwin Kisch's "Paradise America".
In the non-fiction department, we have "Rocking the Wall," the Bruce-Springsteen-book and "Burning Beethoven," about German Americans in World War I, both by Erik Kirschbaum, also "Mark Twain in Berlin," by Andreas Austilat, "Berlin 1945: World War II: Photos of the Aftermath," by Michael Brettin, "The Berlin Wall Today," a full-color guide to the remnants of the Wall, by Michael Cramer, "Berlin in the Cold War," about post-World War II history, the comprehensive guide "Jews in Berlin," by Andreas Nachama, Julius Schoeps, Hermann Simon, and "A Place they Called Home," edited by Donna Swarthout about Jews returning to Germany.
Berlinica's current and upcoming titles include "Our West Berlin," by various authors, also five translated books by famed Weimar author Kurt Tucholsky as well as Harold Poor's landmark biography of Tucholsky, two translated plays by Ernst Toller, and two American travel stories by Alfred Kerr and Roda Roda, soon to be followed by Egon Erwin Kisch's "Paradise America".
We also offer "The Berlin Cookbook," a full-color collection of traditional German recipes by Rose Marie Donhauser, the picture book "Wings of Desire," by Lothar Heinke, "Martin Luther's Travel Guide," by Cornelia Dömer, "Leipzig! The City of Books und Music," by Sebastian Ringel, and "Berlin For Free," a guide for the frugal traveler by Monica Maertens.
Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do.
