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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth century Japan uncovers the social and epistemological roles of the term shashin within the scientific community before the term came to mean photography. Buchnummer des Verkäufers

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Inhaltsangabe: The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars?from physicians to farmers to bureaucrats?known as Sh?hyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify "photography" in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study. This book is an exploration of the process by which the Sh?hyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten.

Über den Autor: Maki Fukuoka is assistant professor of Japanese Humanities in the Department of Asian Languages and Cultures, University of Michigan.

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Fukuoka, Maki
Verlag: U.S.A.: Stanford University Press (2012)
ISBN 10: 080477790X ISBN 13: 9780804777902
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Buchbeschreibung U.S.A.: Stanford University Press, 2012. Hardcover. Buchzustand: Fine. No Jacket. Hardcover. Fine condition - no jacket, as issued. This book puts forth a new history of Japanese visuality through an examination of the discourses and practices surrounding the transposition of "the real" in the decades before photography was introduced. Buchnummer des Verkäufers C6397454

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Buchbeschreibung Stanford University Press, 2012. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780804777902

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Buchbeschreibung 2012. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780804777902

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Buchbeschreibung Stanford University Press, United States, 2012. Hardback. Buchzustand: New. 231 x 152 mm. Language: English . Brand New Book. The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of the real in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shohyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify photography in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study. This book is an exploration of the process by which the Shohyaku-sha shaped the concept of shashin.As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten. Buchnummer des Verkäufers AAC9780804777902

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Buchbeschreibung Stanford University Press, United States, 2012. Hardback. Buchzustand: New. 231 x 152 mm. Language: English . Brand New Book. The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of the real in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shohyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify photography in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study. This book is an exploration of the process by which the Shohyaku-sha shaped the concept of shashin.As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten. Buchnummer des Verkäufers AAC9780804777902

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Buchbeschreibung Stanford University Press. Hardback. Buchzustand: new. BRAND NEW, The Premise of Fidelity: Science, Visuality and Representing the Real in Nineteenth-century Japan, Maki Fukuoka, The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars - from physicians to farmers to bureaucrats - known as Shohyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify "photography" in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study. This book is an exploration of the process by which the Shohyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten. Buchnummer des Verkäufers B9780804777902

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Buchbeschreibung Stanford University Press, 2012. Hardcover. Buchzustand: New. Buchnummer des Verkäufers 080477790X

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Buchbeschreibung Hardcover. Buchzustand: New. 155mm x 20mm x 229mm. Hardcover. "The Premise of Fidelity" puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 272 pages. 0.476. Buchnummer des Verkäufers 9780804777902

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Buchbeschreibung Hardcover. Buchzustand: New. 155mm x 20mm x 229mm. Hardcover. "The Premise of Fidelity" puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 272 pages. 0.476. Buchnummer des Verkäufers 9780804777902

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Buchbeschreibung Stanford Univ Pr, 2012. Hardcover. Buchzustand: Brand New. 1st edition. 300 pages. 9.50x6.25x1.00 inches. In Stock. Buchnummer des Verkäufers x-080477790X

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