Principles of Creature Design: From the Actual to the Real and Imagined: From the Actual to the Real and Imagined

Terryl Whitlatch

ISBN 10: 1933492562 / ISBN 13: 9781933492568

Verlag: Design Studio Press, 2015

Beschreibung

The author reveals what is required to design imaginary animals and creatures, both realistic and stylized. She delves into the zoology behind Creature Design, from the bones and muscles, to Narrative Concept art and stylized characters. Num Pages: 160 pages, black & white illustrations, colour illustrations. BIC Classification: AGN; AGZ; AKL. Category: (Y) Teenage / Young Adult. . . 2015. Reprint. Paperback. . . . .

Bestandsnummer des Verkäufers V9781933492568

Bibliografische Details

• Titel: Principles of Creature Design: From the Actual to the Real and Imagined: From the Actual to the Real and Imagined
• Verlag: Design Studio Press
• Erscheinungsjahr: 2015
• Sprache: Englisch
• ISBN-10: 1933492562
• ISBN-13: 9781933492568
• Einband: Softcover
• Zustand: New

Über diesen Titel

Inhaltsangabe

• In order to draw the imaginary, you need to understand the real. Terryl Whitlatch reveals what is required to design imaginary animals and creatures, both realistic and stylized. Join her as she delves into the zoology behind Creature Design, from the bones and muscles, to Narrative Concept art and stylized characters.

Über die Autorin bzw. den Autor

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas’s JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.