Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Medieval and Renaissance viewers demanded art and architecture that provoked emotional and/or performative interactivity. The authors of these essays explore the history of this call and response from the view of both artists and devotees. Buchnummer des Verkäufers
Inhaltsangabe: Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Churchs prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Über den Autor: Sarah Blick, Ph.D. (1994) in Art History, University of Kansas, is Professor of Art History at Kenyon College. Her research focuses on medieval pilgrimage art and English parish churches. She is editor-in-chief of Peregrinations: Journal of Medieval Art and Architecture.Laura D. Gelfand, Ph.D. (1994) in Art History, Case Western Reserve University, is Professor of Art History at The University of Akron. She has published widely on the art and architecture of the Northern Renaissance with a particular focus on reception.
Buchbeschreibung BRILL, 2011. Hardback. Buchzustand: NEW. 9789004205734 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE0134991
Buchbeschreibung Brill Academic Pub, 2011. Hardcover. Buchzustand: Brand New. 1207 pages. 9.50x6.50x3.25 inches. In Stock. Buchnummer des Verkäufers zk900420573X
Buchbeschreibung BRILL, 2011. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX900420573X
Buchbeschreibung BRILL, 2011. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 900420573X