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Críticas: "Through its impressive command of the corpus of late nineteenth-century art criticism and its convincing articulation of the importance of temporality as an analytical and historical category, Realism in the Age of Impressionism is ... an important contribution to nineteenth-century French art history."-Samuel Raybone, Art History -- Samuel Raybone Art History "Young's total saturation in, and mastery of, the extremely rich body of contemporary art criticism enables him to recreate, to a remarkable degree, the recep-tion of his chosen paintings by the most informed and sophisticated viewers of the time. The richness of 19th-century French art criticism is a gift to the historian, but only a handful of scholars have made the most of it; T. J. Clark, Martha Ward, Marc Gotlieb, and Stephen Bann come at once to mind, and Young in this book joins their rather exclusive club."-Michael Fried, Johns Hopkins University -- Michael Fried "What emerges is a very unusual bringing together of what is usually dealt with separately, by those dedicated to different methodological frameworks: a Marxist-inspired social history of art as exemplified in the work of T.J. Clark, versus a Friedian phenomenology of "absorption and theatricality," and their different ways of combining an address to both form and content, facture and iconography. Thus Marnin Young's text manages to nuance and complicate very usefully all the existing narratives of this period of 'avant-garde' art as well as the standard divisions in art historical methodology associated with it."-Carol Armstrong, Yale University -- Carol Armstrong Won an honorable mention for the 2016 Robert Motherwell Book Award given by the Dedalus Foundation. -- Robert Motherwell Book Award Dedalus Foundation "Realism in the Age of Impressionism represents a major intervention in understandings of late nineteenth-century art, making newly apparent the significance of the late realist or naturalist work... a compelling account."-Alex Potts, H-France Review -- Alex Potts H-France Review "Amid the endless stream of images that come our way as part of the twenty-?rst-century visual economy, Young's book provides a lesson in the value of slow looking." -Andrea Korda, RACAR: revue d'art canadienne -- Andrea Korda RACAR: revue d'art canadienne

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Young, Marnin
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ISBN 10: 0300208324 ISBN 13: 9780300208320
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Buchbeschreibung Yale University Press, 2015. Hardcover. Zustand: Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!. Bestandsnummer des Verkäufers S_224098374

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Buchbeschreibung Yale University Press. Hardcover. Zustand: Good. 0300208324 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Bestandsnummer des Verkäufers Z0300208324Z3

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Buchbeschreibung Yale University Press. Zustand: Used - Like New. 2015. 1st Edition. Hardcover. Fine. Bestandsnummer des Verkäufers Z0286757

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Buchbeschreibung Yale University Press, New Haven, 2015. HARD BACK. Zustand: New. Zustand des Schutzumschlags: New. First.. 258pp. 135 colour & b&w illustrations The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Francois Raffaelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. Size: 267x211mm. Book. Bestandsnummer des Verkäufers 17814

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Buchbeschreibung YALE University Press. Zustand: New. Brand New. Bestandsnummer des Verkäufers 0300208324

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Buchbeschreibung Yale University Press, United States, 2015. Hardback. Zustand: New. Language: English . Brand New Book. The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Francois Raffaelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. Bestandsnummer des Verkäufers BZV9780300208320

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Buchbeschreibung Yale University Press 2015-07-03, New Haven, 2015. hardback. Zustand: New. Bestandsnummer des Verkäufers 9780300208320

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Buchbeschreibung Yale University Press, United States, 2015. Hardback. Zustand: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Francois Raffaelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. Bestandsnummer des Verkäufers BZV9780300208320

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Buchbeschreibung Yale University Press, United States, 2015. Hardback. Zustand: New. Language: English . Brand New Book. The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Francois Raffaelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. Bestandsnummer des Verkäufers AAH9780300208320

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