Inhaltsangabe
Explores the relationship between visual media, the construction of Canadian national identity, and notions of embodiment. It asks how representations of bodies are constructed and performed within mediated content, and emphasizes the ways individuals destabilize national visual tropes, and can destabilize nationalist messages.
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Lynda Mannik is the author of Canadian Indian Cowboys in Australia: Representation, Rodeo and the RCMP at the Royal Easter Show, 1939 (2006) and Photography, Memory and Refugee Identity: The Voyage of the S.S. Walnut, 1948 (2013). Additional scholarship has appeared in Visual Studies, Memory Studies, and Journalism Studies. She has been a visiting assistant professor at Trent University, Peterborough, and Memorial University, St. John's. She currently teaches anthropology at York University in Toronto. Her research focuses on visual media, memory, and affect in various photographic realms.
Karen McGarry is an assistant professor of anthropology at McMaster University, Hamilton. She previously held positions in the anthropology departments at Trent and York universities. Broadly speaking, her research focuses upon two areas of interest: the anthropology of sport, with an interest in high-performance and competitive sport; and educational anthropology. She is a co-author of Cultural Anthropology: A Problem-Based Approach (2013), and her work has appeared in Genders, The Gendered Society Reader, Reviews in Anthropology, The Sport Journal, and elsewhere.
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