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This comprehensive survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. These two regions developed their own distinct styles and techniques but were also influenced by one another in fascinating ways. In essays that focus on the intriguing relationship between artists working in Italy and northern Europe, renowned specialists analyze the notion of likeness??which, during this time, was based not only on accurate reference for posterity but also incorporated all aspects of human life, including propaganda, power, courtship, love, family, ambition, and hierarchy??through magnificent works by artists including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Dürer, Jan van Eyck, Leonardo da Vinci, and Titian, among many others.
The authors address different portrait types, styles, techniques, and iconographies, and discuss the connections between painting and sculpture and portrait medals. This stunning book also addresses the evolution of the full-length portrait and the ?anti-ideal? in counter-portraits, which depict court jesters and dwarves. In these often satirical representations, painters could show off their skills as recorders of likeness without the restrictions imposed by idealization.
Über den Autor:
Lorne Campbell is Beaumont Senior Research Curator and Luke Syson is curator of Italian paintings 1460?1500 at the National Gallery, London. Miguel Falomir is head curator of Italian Renaissance painting at the Museo Nacional del Prado. Jennifer Fletcher was until recently senior lecturer at the Courtauld Institute.
Buchbeschreibung National Gallery London, 2009. Buchzustand: Good. First. N/A. Ships from the UK. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP95641155
Buchbeschreibung National Gallery London. Buchzustand: Good. 2009 - Hardcover - Used - Good - - - - Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!. Buchnummer des Verkäufers NR-11-4-0161
Buchbeschreibung National Gallery Company, Lndn/2008. First edition., 2008. Hardback. Colour illustrations. VG+ in VG dust jacket. DJ protected by removable clear cover. Oversize; Postage & Packing may cost extra. Buchnummer des Verkäufers 20809
Buchbeschreibung National Gallery London 2009-01-20, 2009. Hardcover. Buchzustand: good. 1857094115. Buchnummer des Verkäufers 669059
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97818570941144.0
Buchbeschreibung Yale University Press, London, 2008. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Good. Dustwrapper slightly rubbed. Buchnummer des Verkäufers g44126
Buchbeschreibung National Gallery Company, East London, United Kingdom, 2009. paperback. Buchzustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Paperback. Covers have very few very light marks, and slight wear at edges and leading corners. Contents are clean and clear. Used. Buchnummer des Verkäufers 216175
Buchbeschreibung National Gallery London, 2009. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX1857094115
Buchbeschreibung National Gallery London, 2009. Hardcover. Buchzustand: Good. Good condition, some are ex-library and can have markings. Buchnummer des Verkäufers GD-237-51-1603811
Buchbeschreibung National Gallery Company, distributed by Yale University, London, 2008. Hardcover. First edition. Quarto. 303pp. Illustrated with color and black and white plates. Fine in a fine dustwrapper. Published to accompany the exhibition held October 15, 2008 to January 18, 2009. A lovely copy. Buchnummer des Verkäufers 386714