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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context. Buchnummer des Verkäufers

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Inhaltsangabe: Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational 'sixth-ness' onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several 'classicizing' theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a 'hexachord' built from the 'tetrachord' of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time.

Inhaltsangabe: Mengozzi demonstrates how scholasticism and humanism played a decisive role in shaping the history of hexachordal solmization, a sight-singing method introduced by the 11th-century monk Guido of Arezzo. The book will be of interest to early-modern specialists interested in exploring medieval and Renaissance musical thought in its intellectual context.

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Buchbeschreibung Cambridge University Press, 2014. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers GB-9781107442573

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Buchbeschreibung Cambridge University Press 2014-08-21, Cambridge, 2014. paperback. Buchzustand: New. Buchnummer des Verkäufers 9781107442573

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Buchbeschreibung Cambridge University Press. Paperback. Buchzustand: new. BRAND NEW PRINT ON DEMAND., The Renaissance Reform of Medieval Music Theory: Guido of Arezzo Between Myth and History, Stefano Mengozzi, Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational 'sixth-ness' onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several 'classicizing' theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a 'hexachord' built from the 'tetrachord' of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time. Buchnummer des Verkäufers B9781107442573

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Buchbeschreibung CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2014. Paperback. Buchzustand: New. 246 x 168 mm. Language: English . Brand New Book. Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational sixth-ness onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several classicizing theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a hexachord built from the tetrachord of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time. Buchnummer des Verkäufers AAZ9781107442573

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Buchbeschreibung Cambridge University Press, 2014. PAP. Buchzustand: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IQ-9781107442573

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Buchbeschreibung CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2014. Paperback. Buchzustand: New. 246 x 168 mm. Language: English . Brand New Book. Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational sixth-ness onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several classicizing theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a hexachord built from the tetrachord of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time. Buchnummer des Verkäufers AAZ9781107442573

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Buchbeschreibung Cambridge University Press, 2014. PAP. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Buchnummer des Verkäufers IQ-9781107442573

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Buchbeschreibung Cambridge University Press, 2016. Paperback. Buchzustand: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Buchnummer des Verkäufers ria9781107442573_lsuk

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Buchbeschreibung Paperback. Buchzustand: New. Not Signed; Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of. book. Buchnummer des Verkäufers ria9781107442573_rkm

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Buchbeschreibung Buchzustand: New. Bookseller Inventory # ST1107442575. Buchnummer des Verkäufers ST1107442575

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