Riemenschneider in Situ

VArious

Beschreibung

Katherine M. Boivin, Gregory C. Bryda (eds) - Pages: 416 p.Illustrations:33 b/w, 222 col., 1 maps b/w. Language(s):English. Brepols, Publication Year:2022. Hardback - SUMMARY Riemenschneider in Situ presents the newest research on the work of one of the most famous late medieval and early Renaissance sculptors, Tilman Riemenschneider. Moving beyond questions of style, date, and workshop practice, this volume investigates the sculptor s programs across the south German region of Franconia that survive in situ, within the particular contexts for which they were designed and in which they were originally experienced. In shifting the focus from fragmentary pieces in museum collections to extant installations in their original church settings, the volume contributes to a wave of scholarship interested in reanimating medieval artistic ensembles by considering them as complex visual environments. Together, the authors conservators, museum professionals, and art historians provide an essential and overdue study of Riemenschneider s best-preserved pieces, while also making an important, collaborative addition to the broader discipline of pre-modern art history. TABLE OF CONTENTS Eike und Karin Oellermann, Dedication to Hartmut Krohm Julien Chapuis, Preface Katherine M. Boivin and Gregory C. Bryda, Introduction Part I: Place and Placement Jeffrey Chipps Smith, The Historiography of Place in early Riemenschneider Scholarship Katherine M. Boivin, Topographies of a Style Thierry Greub, Placement, Judas, and Reliquary Cross: New Aspects on the Holy Blood Altar from Tilman Riemenschneider Volker Schaible, Riemenschneider s Marian Retable in the Church of Our Lady in Creglingen Results From a Technical Art Historical Investigation Part II: Dynamic Environments Johannes Tripps, Space, Light, and Liturgical Plays as a Source of Inspiration for Riemenschneider s Altarpieces Mitchell B. Merback, Immanence and Intercession: Rooted Sanctity and the Creglingen Marienaltar Tim Juckes, The Creglingen Altar and its Multimedia Environment: Metamorphoses of a Furnishing Ensemble in Sacred Space ca. 1460-1510 Reindert L. Falkenberg, Horror Vacui Amor Vacui : Riemenschneider s Creglingen Retable in Situ Part III: Surface and Composition Hartmut Krohm, Fold Texture Fold Rhetoric: Observations on Lighting Effects as an Artistic Factor in the Work of Riemenschneider and his Contemporaries Michele Marincola & Anna Serotta, Riemenschneider s Marien Altarpiece in the Church of Our Lord, Creglingen: A Review of its Restoration History and the Application of a New Examination Method Matthias Weniger, The Münnerstadt Altarpiece: Once again on the question of its original appearance Georg Habenicht, Riemenschneider s Twelve Apostles Altarpiece in Windsheim Assaf Pinkus, Compilatio at the Portal: The Last Judgment in Bern Cathedral Hanns Hubach, Winand von Steeg (1371-1453): On Composition and Color 1415/20. Bestandsnummer des Verkäufers 00622

Bibliografische Details

Titel: Riemenschneider in Situ

Einband: Rilegato

Zustand: nuovo