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Riven Rock

Boyle, T. C. - SIGNED FIRST PRINTING

2.321 Bewertungen bei Goodreads
ISBN 10: 0747537933 / ISBN 13: 9780747537939
Verlag: Bloomsbury London, 1998
Zustand: Near Fine Hardcover
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Beschreibung

Signed on the title page. No other marks. This copy looks unread, and the perfect jacket is protected. Tight binding, no damaged corners. A collectable copy, especially in its much scarcer London edition. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0. Buchnummer des Verkäufers ABE-5858626889

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Bibliografische Details

Titel: Riven Rock

Verlag: Bloomsbury London

Erscheinungsdatum: 1998

Einband: Hardcover

Zustand: Near Fine

Zustand des Schutzumschlags: Fine

Signiert: Signed by Author(s)

Auflage: 1st Edition...

Über diesen Titel

Inhaltsangabe:

In Riven Rock, his most fully realized and compassionate novel to date, T.C. Boyle transforms two characters straight out of history into rich mythic creations whose tortured love and epic story is intimate enough to break our hearts. These unforgettable characters invite the reader's care as never before in a Boyle novel. With the scope of E.L. Doctorow's Ragtime, Riven Rock uses real American subjects to come to terms with love and loss in the early years of our century. Boyle anchors his tale with the remarkable and courageous Katherine Dexter. Wed to Stanley McCormick - thirty-one-year-old son of the millionaire inventor of the Reaper, and a schizophrenic sexual maniac - Katherine struggles to cure him while he is locked up in his Santa Barbara mansion and forbidden the mere sight of a women - above all, his wife. Throughout her career as a scisntist ad suffragette, her faith never wavers: one day, one of the psychiatrists she finds for her husband will, she insists, return him to her, free of demons, a yearned-for lover. "Still America's most imaginative contemporary novelist" (Newsweek), Boyle weaves his hallmark virtuoso prose onto a recreation of America's age of innocence against a backdrop of wealth and privilege. And at the center of Riven Rock are its people, somehow bound together in thier deep sense of fidelity to each other.

Review:

In 1905, Stanley McCormick, heir to East Coast millions, is most definitely mad. Heredity and an early, horrifying glimpse of his naked sister have rendered him schizophrenic, incapable of being around women--right down to his wife, Katherine, "a newlywed who might as well have been a widow." Not even the dawn of modern psychiatry can save him. Instead, he's barred and carefully cosseted in Riven Rock, the California estate he helped design for his sister, the first of the McCormicks to crack. Will the 31-year-old patient be cured? His wife, the first female graduate of MIT, believes that he will. So, too, does his loyal head nurse, Eddie O'Kane, a preternaturally articulate, handsome Boston Irishman. Indeed, Eddie thinks himself blessed with good luck. Going to Montecito to care for Mr. McCormick will, he is convinced, enable him to take center stage in the drama of his own life.

Over the next 20 years, Stanley will go from catatonia to a semblance of normality (so long as there's no woman in sight and no sharp cutlery on the table). Eddie, however, will never play the leading role he'd envisioned, instead taking refuge in alcohol and recollections of the one woman he thinks he has let get away, the plainspoken, explosive Giovannella Dimucci. When Eddie first describes his patient's violent response to women, "he wondered if he'd gone too far, if he'd shocked her, but the mask dissolved and she leaned in close, her hand on his elbow. 'Sounds like the average man to me.'" As for Katherine McCormick, she will still visit every Christmas, hoping to at least see her husband if she can't see him get better.

Based on a true story, Riven Rock is unclassifiable, a discomforting and often hilarious mix of tragedy and comedy. (Only Orson Welles could do the book justice on film.) T. C. Boyle writes in a controlled frenzy of rich description and dialogue, pulling us up sharply each time we begin to wonder if his patient isn't a helpless victim. Eddie recalls one nurse before Stanley "got to her": "She was a shadow in a back corner of his mind, a cat you pick up to stroke and then put down again when it stops purring.... Now she was back in Rhode Island, with her mother, but the look of her that day, the way her eyes had melted away to nothing and the color had gone out of her so you could see every lash and hair on her head like brushstrokes in oil, came to him in infinite sadness."

Boyle has great empathy, but there is no avoiding his novel's comic energy. Stanley's first psychiatrist-jailer, Dr. Hamilton, is obsessed with primate sexuality and will go to Riven Rock only if Katherine funds a large living laboratory. He spends all of his time watching the imprisoned creatures copulate, a pathetic counterpoint to his patient's plight. The sight of the disheveled doctor following one animal encounter amuses even the suspicious Katherine. "To his credit, the doctor laughed too. And O'Kane, the bruiser, who'd gone absolutely pale at the tiny hominoids that couldn't have weighed a twentieth of what he did, joined in, albeit belatedly and with a laugh that trailed off into a whinny." Alas, all goes awry when Hamilton takes the joke too far and declares his chimps "the very devils--they're even worse than my patients." Riven Rock is a maximum-velocity study of love, primal energy, and what is sacrosanct in society: control. It is also about loyalty, absurdity, domesticity, and depravity, all of which, Boyle knows, coexist within the best of souls.

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