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AbeBooks-Verkäufer seit 22. Februar 1999
31x24,5 cm. 342 s. Rikt illustrerad. Häftad. Fint skick. (Moderna Museets utställningskatalog 338). Bestandsnummer des Verkäufers 244511
Titel: Robert Rauschenberg. Combines.
Verlag: Moderna Museet 2007. 2007
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, Free University of Berlin (John-F.-Kennedy Institut), language: English, abstract: For a thorough understanding of the development of the American art scene in the 1950s and 1960s, it is essential to have a close look on the early work of the forerunner Robert Rauschenberg whose art bridged the way between Abstract Expressionism and Pop Art. In this context, it is equally important to analyze Susan Sontag's essays on art and style from the mid-1960s which had a precursory function in the art critic world and promoted a new kind of sensibility to the audience. To understand the development of Rauschenberg's art concept, which was breathtakingly new at its time, it is inevitable to look at his artistic career and the different influences on his work from artistic models, teachers, and fellow artists. Additionally, an analysis of the 1950s and 1960s art scene and the change of the audience's reception are equally necessary to recognize the significance of Rauschenberg's work for its time and beyond. Sontag was one of the first critics to fully acknowledge the importance of Rauschenberg's ideas for the development of the American art scene. Her essay collection is thus in itself a pioneer work of a new kind of art criticism. Rauschenberg's artwork as well as Sontag's essays on the arts challenged people's perspective on art and its functions. Even though Sontag only directly refers twice to Rauschenberg's artwork in her essay collection 'Against Interpretations', her ideas of the new kind of art of the late 1950s and early 1960s nevertheless strongly correspond to Rauschenberg's art concept. The artist and the art critic thus paved the way for a new understanding of art and its reception. Bestandsnummer des Verkäufers 9783638778930
Anzahl: 1 verfügbar
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Robert Rauschenberg's 'Combines' - Masterpieces of the New Sensibility - Between Abstract Expressionism and Pop Art | Sonja Longolius | Taschenbuch | Paperback | 24 S. | Englisch | 2007 | GRIN Verlag | EAN 9783638778930 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. Bestandsnummer des Verkäufers 101935257
Anzahl: 5 verfügbar
Anbieter: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Deutschland
Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, Free University of Berlin (John-F.-Kennedy Institut), language: English, abstract: For a thorough understanding of the development of the American art scene in the 1950s and 1960s, it is essential to have a close look on the early work of the forerunner Robert Rauschenberg whose art bridged the way between Abstract Expressionism and Pop Art. In this context, it is equally important to analyze Susan Sontag's essays on art and style from the mid-1960s which had a precursory function in the art critic world and promoted a new kind of sensibility to the audience. To understand the development of Rauschenberg's art concept, which was breathtakingly new at its time, it is inevitable to look at his artistic career and the different influences on his work from artistic models, teachers, and fellow artists. Additionally, an analysis of the 1950s and 1960s art scene and the change of the audience's reception are equally necessary to recognize the significance of Rauschenberg's work for its time and beyond. Sontag was one of the first critics to fully acknowledge the importance of Rauschenberg's ideas for the development of the American art scene. Her essay collection is thus in itself a pioneer work of a new kind of art criticism. Rauschenberg's artwork as well as Sontag's essays on the arts challenged people's perspective on art and its functions. Even though Sontag only directly refers twice to Rauschenberg's artwork in her essay collection 'Against Interpretations', her ideas of the new kind of art of the late 1950s and early 1960s nevertheless strongly correspond to Rauschenberg's art concept. The artist and the art critic thus paved the way for a new understanding of art and its reception. 24 pp. Englisch. Bestandsnummer des Verkäufers 9783638778930
Anzahl: 2 verfügbar
Anbieter: A&D Books, South Orange, NJ, USA
Pamphlet. The original event pamphlet for an exhibition of work by Robert Rauschenberg titled "Combines" and held at the Metropolitan Museum of Art, NYC, December 20, 2005 - April 2, 2006. Two stapled 8.5 x 11-inch sheets, each printed both sides, describing events related to the show plus a sheet describing the February 5, 2006, day's events and a ticket to the conversation with Rauschenberg on that day. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. Bestandsnummer des Verkäufers 27502
Anzahl: 1 verfügbar
Anbieter: Klondyke, Almere, Niederlande
Zustand: Good. Original wrappers, illustrations in b/w, 8vo. Bestandsnummer des Verkäufers 311073-VC12
Anzahl: 1 verfügbar
Anbieter: R.W. Forder, Gosport, Vereinigtes Königreich
Soft cover. Zustand: Very Good. First Edition. Original limp card covers. Whitechapel Gallery exhibition catalogue, February-March 1964. Textual contributions from Bryan Robertson, Henry Geldzahler and John Cage. Profusely illus in monochrome. Previous owner's name in prelims. Bestandsnummer des Verkäufers 011261
Anzahl: 1 verfügbar
Anbieter: Vortex Books, Teddington, MIDDX, Vereinigtes Königreich
Soft cover. Zustand: Fine. 1st Edition. Uninscribed. No wear. Bestandsnummer des Verkäufers 5377
Anzahl: 1 verfügbar
Anbieter: Joe Orlik Books, Manchester, Vereinigtes Königreich
Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. Book softcover pp20 text + 40 plates. Preface Bryan Robertson. Essays Henry Geldzahler and Max Kozloff. Condition: Very Good. Internally clean and firm. Small green ink stain (0.2 x 0.5 cm) on very edge of page carrying plates 30-34. Thumb mark in margin of p20. Sharp edges and corners. Spine undamaged. light shelf wear. Bestandsnummer des Verkäufers S14.276.3
Anzahl: 1 verfügbar
Anbieter: Minster Gate Bookshop (est. 1970), YORK, Vereinigtes Königreich
Exhibition catalogue, square 8vo., pp.20 + b/w plates, paperback (pictorial card wrappers); two leaves of plates are loose but present, else very good. Bestandsnummer des Verkäufers 33709
Anzahl: 1 verfügbar
Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Softbound. Zustand: New. Illustrated wraps. 341, [2] pp., profusely illustrated in bw and color. Destined to be another Rauschenberg classic. Published to accompany an exhibition first held at the Met in New York, and then it went to Los Angeles, Paris and Stockholm. This is the Swedish language edition. Bestandsnummer des Verkäufers 105359
Anzahl: 1 verfügbar