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Sarah Lucas: A Catalog Raisonne: Sarah Lucas Sarah Lucas: A Catalog Raisonne: Sarah Lucas Sarah Lucas: A Catalog Raisonne: Sarah Lucas Sarah Lucas: A Catalog Raisonne: Sarah Lucas

Sarah Lucas: A Catalog Raisonne

Sarah Lucas

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ISBN 10: 3775716432 / ISBN 13: 9783775716437
Verlag: Hatje Cantz, 2005
Zustand: Very Good Plus Hardcover
Verkäufer George Jeffery Books (HERTFORDSHIRE, Vereinigtes Königreich)

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Beschreibung

Signed by Sarah Lucas on free endpaper. Book measures 12 3/4 x 10 1/4 inches. 195 pages, illustrated throughout. Bound in original publishers grey hardcover. Binding in very good clean firm condition. Dust jacket in very good clean condition. Internally, pages clean and bright throughout. A very nice clean copy. Size: Folio - over 12" - 15" tall. Bestandsnummer des Verkäufers 097565

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Bibliografische Details

Titel: Sarah Lucas: A Catalog Raisonne

Verlag: Hatje Cantz

Erscheinungsdatum: 2005

Einband: Hardcover

Zustand: Very Good Plus

Zustand des Schutzumschlags: Very Good Plus

Signiert: Signed by Author

Über diesen Titel

Reseña del editor:

GOD IS DAD. That was the title of Sarah Lucas's last show in New York, in which the pun-prone artist assembled an array of sculptures constructed from cast concrete forms, tacky beige nylon stockings and random metal objects. These typically abject art pieces fit right into the body of work Lucas has been building since the early 1990s from apparently banal, everyday materials. Old, worn furniture, clothing, food, newspapers, cigarettes, cars, resin, plaster, neon lamps and light fixtures combine to form grungy assemblages whose appearance belies the serious and complex subject matter they address. Through the slyly anthropomorphic character of her sculptures, Lucas makes constant reference to the human body, questioning gender definitions and challenging male-dominated culture, especially that espoused by the sensationalist British press. She subverts sexual stereotypes in her appropriations of the tabloid vernacular and by making unexpected juxtapositions of objects, often employing visual wit and a defiant, bawdy humor. Her most iconic work, "Two Fried Eggs and a Kebab," which was included in the landmark Sensation exhibition in 1999, bears this out with a nasty wink: The title, which precisely describes the materials from which the piece was made, is slang for, well... just look it up. This extensive, large-format catalogue comprehensively tracks the career of one of the leading figures in an outstanding generation of British artists. Lucas, who first came to attention as a YBA (Young British Artist) in the 1990s, is here granted her first major exhibition survey. Included in this accompanying publication is documentation of key works, plus new work made especially for the Tate Liverpool. It is the most comprehensive publication on the artist to date.

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