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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: With exemplary clarity, Emily Harrington explores the ways in which gifted women poets of the late nineteenth century address intimate relations through lyrical forms. Yet, as Harrington shows, the songs and sonnets in which late Victorian women poets excelled are not usually expressions of undying love. Instead, through her attentive discussion of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, Dollie Radford, and Mary E. Coleridge, Harrington reveals how these poets capture a central paradox of lyric: a genre that acknowledges the disconnections between the affectionate poetic voice and her objects of desire. Buchnummer des Verkäufers

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Emily Harrington offers a new history of women?s poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation.

Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. Writing about relationships that are familial, divine, sexual, literary, and musical, these poets reconsidered the dynamics of absence and presence, and subject and object, that are at the heart of the lyric enterprise.

Harrington locates these poets' theories of intimacy not only in their formal poetic practice but also in diverse prose works such as prefaces, literary and devotional essays, and unpublished letters and diaries. By analyzing various patterns of versification and modes of address, she articulates new ways of thinking about the bonds of verse and enlarges our understanding of verse culture in the late nineteenth century.

Über den Autor:

Emily Harrington is Assistant Professor of English at the University of Colorado, Boulder.

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Harrington, Emily
Verlag: University of Virginia Press (2014)
ISBN 10: 0813936128 ISBN 13: 9780813936123
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Buchbeschreibung University of Virginia Press, 2014. Hardcover. Buchzustand: Very Good+. Zustand des Schutzumschlags: Very Good+. Text clean and tight; Victorian Literature and Culture Series; 9.30 X 6.20 X 1 inches; 248 pages. Buchnummer des Verkäufers 176888

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Buchbeschreibung University of Virginia Press, 2014. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0813936128

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Buchbeschreibung UNIVERSITY OF VIRGINIA PRESS, United States, 2014. Hardcover. Buchzustand: Good. Zustand des Schutzumschlags: Good. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. New Arrivals. Book: USED, Good. Dust Jacket: Good. Bookseller Inventory # 17978081393612300. Buchnummer des Verkäufers 17978081393612300

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Buchbeschreibung Hardcover Oct 17, 2014. Buchzustand: Used: Like New. Almost like new first edition, first printing hardcover (Univ. of Virginia Pr., 2012, 231 pages; ISBN 9780813936123) in dust jacket, as pictured; pages pristine, tight, unmarked; binding sound and square; only defect is very mild disturbance at top front edge of dust jacket, no chips or tears; on its way to you the same or next day in bubblewrap; free tracking on all domestic orders; email confirmation; standard (media) mail takes 4-14 days; expedited (priority) mail takes 2-5 days; international orders go by airmail (6-10 days). Buchnummer des Verkäufers 0602P6IDLO7

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Buchbeschreibung University of Nebraska Press. Buchzustand: New. Brand New. Buchnummer des Verkäufers 0813936128

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Buchbeschreibung University of Virginia Press, 2014. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780813936123

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Buchbeschreibung University of Virginia Press, United States, 2014. Hardback. Buchzustand: New. 236 x 157 mm. Language: English . Brand New Book. Emily Harrington offers a new history of women s poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. Writing about relationships that are familial, divine, sexual, literary, and musical, these poets reconsidered the dynamics of absence and presence, and subject and object, that are at the heart of the lyric enterprise. Harrington locates these poets theories of intimacy not only in their formal poetic practice but also in diverse prose works such as prefaces, literary and devotional essays, and unpublished letters and diaries. By analyzing various patterns of versification and modes of address, she articulates new ways of thinking about the bonds of verse and enlarges our understanding of verse culture in the late nineteenth century. Buchnummer des Verkäufers AAC9780813936123

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Emily Harrington
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ISBN 10: 0813936128 ISBN 13: 9780813936123
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Buchbeschreibung University of Virginia Press, United States, 2014. Hardback. Buchzustand: New. 236 x 157 mm. Language: English . Brand New Book. Emily Harrington offers a new history of women s poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. Writing about relationships that are familial, divine, sexual, literary, and musical, these poets reconsidered the dynamics of absence and presence, and subject and object, that are at the heart of the lyric enterprise. Harrington locates these poets theories of intimacy not only in their formal poetic practice but also in diverse prose works such as prefaces, literary and devotional essays, and unpublished letters and diaries. By analyzing various patterns of versification and modes of address, she articulates new ways of thinking about the bonds of verse and enlarges our understanding of verse culture in the late nineteenth century. Buchnummer des Verkäufers AAC9780813936123

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