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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy ofconsciousness stemming from Kant, Hegel, and Lukacs. Buchnummer des Verkäufers

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Theodor W. Adorno died in 1969 and his last major work, Ästhetische Theorie, was published a year later. Only recently, however, have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the discussion of Adorno's aesthetics in Anglo-American scholarship.The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukács. Adorno's elaboration of the two concepts takes many dialectical twists. Art, despite the taint of illusion that it has carried since Plato's Republic, turns out in Adorno's account of modernism to have a sophisticated capacity to critique illusion, including its own. Adorno's aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge.

Über den Autor: Lambert Zuidervaart is Professor of Philosophy at the Institute for Christian Studies.

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Buchbeschreibung Mit Pr, Cumberland, Rhode Island, U.S.A., 1999. Soft cover. Buchzustand: Fine. Buchnummer des Verkäufers 1000054746

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Buchbeschreibung Paperback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR007979069

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Buchbeschreibung The MIT Press, 1999. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 0262581760

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Buchbeschreibung The MIT Press, 1999. Paperback. Buchzustand: New. Buchnummer des Verkäufers DADAX0262581760

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Buchbeschreibung Buchzustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Buchnummer des Verkäufers NU-ING-00015166

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Buchbeschreibung The MIT Press. Paperback. Buchzustand: New. Paperback. 368 pages. Dimensions: 8.9in. x 5.8in. x 0.9in.Theodor W. Adorno died in 1969 and his last major work, sthetische Theorie, was published a year later. Only recently, however, have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the discussion of Adornos aesthetics in Anglo-American scholarship. The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adornos links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukcs. Adornos elaboration of the two concepts takes many dialectical twists. Art, despite the taint of illusion that it has carried since Platos Republic, turns out in Adornos account of modernism to have a sophisticated capacity to critique illusion, including its own. Adornos aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Buchnummer des Verkäufers 9780262581769

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Verlag: MIT Press Ltd, United States (1999)
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Buchbeschreibung MIT Press Ltd, United States, 1999. Paperback. Buchzustand: New. New edition. 226 x 147 mm. Language: English . Brand New Book ***** Print on Demand *****.Theodor W. Adorno died in 1969 and his last major work, Asthetische Theorie, was published posthumously a year later. Few philosophers have been as well versed in contemporary art, especially music, as Adorno, and even fewer have written so much that is of interest to the social sciences. Yet only recently have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the growing discussion of Adorno s aesthetics in Anglo-American scholarship. The essays in the volume, by many of the major Adorno scholars in the United States and Germany, are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno s links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukacs. Adorno s elaboration of the two concepts takes many dialecical twists. Art, despite the taint of illusion that it has carried since Plato s Republic, turns out in Adorno s account of modernism to have a sophisticated capacity to critique illusion, including its own. Adorno s aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge. Studies in Contemporary German Social Thought. Buchnummer des Verkäufers APC9780262581769

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Verlag: MIT Press Ltd, United States (1999)
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Buchbeschreibung MIT Press Ltd, United States, 1999. Paperback. Buchzustand: New. New edition. 226 x 147 mm. Language: English . Brand New Book ***** Print on Demand *****. Theodor W. Adorno died in 1969 and his last major work, Asthetische Theorie, was published posthumously a year later. Few philosophers have been as well versed in contemporary art, especially music, as Adorno, and even fewer have written so much that is of interest to the social sciences. Yet only recently have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the growing discussion of Adorno s aesthetics in Anglo-American scholarship. The essays in the volume, by many of the major Adorno scholars in the United States and Germany, are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno s links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukacs. Adorno s elaboration of the two concepts takes many dialecical twists. Art, despite the taint of illusion that it has carried since Plato s Republic, turns out in Adorno s account of modernism to have a sophisticated capacity to critique illusion, including its own. Adorno s aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge. Studies in Contemporary German Social Thought. Buchnummer des Verkäufers APC9780262581769

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