Shadows in the Field is the first book by ethnomusicologists to consider fieldwork as an issue-laden practice, rather than as a methodology requiring a prescriptive manual. The contributors to this volume challenge the very notion of fieldwork: its goals, the nature of knowledge gained in fieldwork, and the place of fieldwork in historical studies. The book ranges widely through the history of the discipline of ethnomusicology and the key theoretical issues to be addressed including ethics, politics, gender, and relations with the people studied in the contemporary fieldwork environment. It represents the most significant aspects of the new ethnography, shifting the balance away from the data-collecting model of fieldwork toward an approach that is reflexive, humanistic, and experiential.

Cr�ticas:

"Shadows in the Field should be required reading in all such courses because the essays represent a sustained effort by ethnomusicologists to grapple with experimental and representational issues that are central to contemporary research and writing practices in the discipline....a welcome--and essential--addition to the ethnomusicology syllabus and bookshelf."--Ethnomusicology"The essays in Shadows in the Field address one of the key facets of ethnomusicological research, providing a stimulating set of reflections on fieldwork as experienced in a number of different settings."--The World of Music "Shadows in the Field should be required reading in all such courses because the essays represent a sustained effort by ethnomusicologists to grapple with experimental and representational issues that are central to contemporary research and writing practices in the discipline....a welcome--and essential--addition to the ethnomusicology syllabus and bookshelf."--Ethnomusicology "The essays in Shadows in the Field address one of the key facets of ethnomusicological research, providing a stimulating set of reflections on fieldwork as experienced in a number of different settings."--The World of Music "Shadows in the Field should be required reading in all such courses because the essays represent a sustained effort by ethnomusicologists to grapple with experimental and representational issues that are central to contemporary research and writing practices in the discipline....a welcome--and essential--addition to the ethnomusicology syllabus and bookshelf."--Ethnomusicology "The essays in Shadows in the Field address one of the key facets of ethnomusicological research, providing a stimulating set of reflections on fieldwork as experienced in a number of different settings."--The World of Music "Shadows in the Field should be required reading in all such courses because the essays represent a sustained effort by ethnomusicologists to grapple with experimental and representational issues that are central to contemporary research and writing practices in the discipline....a welcome--andessential--addition to the ethnomusicology syllabus and bookshelf."--Ethnomusicology"The essays in Shadows in the Field address one of the key facets of ethnomusicological research, providing a stimulating set of reflections on fieldwork as experienced in a number of different settings."--The World of Music

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