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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Contents: Introduction, Patricia Badir and Paul Yachnin; Part 1 Shakespeare and Early Modern Cultures of Performance: Shakespeare and the theatrical performance of rusticity, David Bevington; Payback time: on the economic rhetoric of revenge in The Merchant of Venice, Linda Woodbridge; 'To give and to receive': performing exchanges in The Merchant of Venice, Sean Lawrence; to' gase so much at the fine stranger': Armado and the politics of English in Love's Labours Lost, Lynne Magnusson; 'Does not the stone rebuke me?' The Pauline rebuke and Paulina's lawful magic in The Winter's Tale, Huston Diehl; Shakespeare and secular performance, Anthony B. Dawson. Part 2 Shakespeare and Modern Cultures of Performance: 'Discharging less than the tenth part of one': performance anxiety and/in Troilus and Cressida, Gretchen E. Minton; Forbidden mixtures: Shakespeare in blackface minstrelsy, 1844, Copplia Khan; The Tempest and the uses of late Shakespeare in the cultures of performance: prospero, Geilgud, Rylance, Gordon McMullan; Afterword: 'performance', 'culture', history, Edward Petcher; Bibliography; Index. Buchnummer des Verkäufers

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Inhaltsangabe: Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they also are careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays.Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last four chapters deal with Shakespeare and performance culture in modernity. They focus on themes including performance, editing and textual stability; literary and theatrical performance anxiety; cultural iconicity; and Victorian performance of Shakespearean lateless.This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.

Über den Autor: Paul Yachnin is Tomlinson Professor of Shakespeare Studies at McGill University, Canada. Patricia Badir is Associate Professor of English at the University of British Columbia, Canada.

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Paul Yachnin
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Buchbeschreibung Buchzustand: very good. 581 Gramm. Buchnummer des Verkäufers M00754655857-V

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Buchbeschreibung Ashgate Pub Co, 2008. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers VT-9780754655855

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BADIR, PATRICIA
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Buchbeschreibung Routledge, 2008. Hardback. Buchzustand: NEW. 9780754655855 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Buchnummer des Verkäufers HTANDREE01021555

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Verlag: Taylor Francis Ltd, United Kingdom (2008)
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Buchbeschreibung Taylor Francis Ltd, United Kingdom, 2008. Hardback. Buchzustand: New. 234 x 160 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare s plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity.They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare s imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms. Buchnummer des Verkäufers BTE9780754655855

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Paul Yachnin and Patricia Badir, Paul Yachnin (Editor), Patricia Badir (Editor)
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Buchbeschreibung Ashgate, 2008. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0754655857

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Buchbeschreibung Ashgate Pub Co, 2008. Hardcover. Buchzustand: Brand New. 210 pages. 9.25x6.25x0.75 inches. In Stock. Buchnummer des Verkäufers __0754655857

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Buchbeschreibung 2008. Hardcover. Buchzustand: New. 156mm x 234mm x. Hardcover. Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The ess.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 224 pages. 0.544. Buchnummer des Verkäufers 9780754655855

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