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Shalimar the Clown

Rushdie, Salman

Verlag: Jonathan Cape, UK, 2005
ISBN 10: 0224077848 / ISBN 13: 9780224077842
/ Zustand: Near Fine / Hardcover
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Titel: Shalimar the Clown

Verlag: Jonathan Cape, UK

Erscheinungsdatum: 2005

Einband: Hardcover

Zustand: Near Fine

Zustand des Schutzumschlags: Near Fine

Signiert: Signed by Author(s)

Auflage: 1st Edition

Beschreibung:

1st/1st with dustjacket, signed to title page, no inscriptions. Buchnummer des Verkäufers 001730

Über diesen Titel:

Bewertung (bereitgestellt von Goodreads):
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Inhaltsangabe: Shalimar the Clown is a masterpiece from one of our greatest writers, a dazzling novel that brings together the fiercest passions of the heart and the gravest conflicts of our time into an astonishingly powerful, all-encompassing story.

Max Ophuls? memorable life ends violently in Los Angeles in 1993 when he is murdered by his Muslim driver Noman Sher Noman, also known as Shalimar the Clown. At first the crime seems to be politically motivated ? Ophuls was previously ambassador to India, and later US counterterrorism chief ? but it is much more.

Ophuls is a giant, an architect of the modern world: a Resistance hero and best-selling author, brilliant economist and clandestine US intelligence official. But it is as Ambassador to India that the seeds of his demise are planted, thanks to another of his great roles ? irresistible lover. Visiting the Kashmiri village of Pachigam, Ophuls lures an impossibly beautiful dancer, the ambitious (and willing) Boonyi Kaul, away from her husband, and installs her as his mistress in Delhi. But their affair cannot be kept secret, and when Boonyi returns home, disgraced and obese, it seems that all she has waiting for her is the inevitable revenge of her husband: Noman Sher Noman, Shalimar the Clown. He was an acrobat and tightrope walker in their village?s traditional theatrical troupe; but soon Shalimar is trained as a militant in Kashmir?s increasingly brutal insurrection, and eventually becomes a terrorist with a global remit and a deeply personal mission of vengeance.

With sweeping brilliance, Salman Rushdie portrays fanatical mullahs as fully as documentary filmmakers, rural headmen as completely as British spies; he describes villages that compete to make the most splendid feasts, the mentality behind martial law, and the celebrity of Los Angeles policemen, all with the same genius.

But the main story is only part of the story. In this stunningly rich book everything is connected, and everyone is a part of everyone else. Shalimar the Clown is a true work of the era of globalization, intricately mingling lives and countries, and finding unexpected and sometimes tragic connections between the seemingly disparate. The violent fate of Kashmir recalls Strasbourg?s experience in World War Two; Resistance heroism against the Nazis counterpoints Al-Qaeda?s terror in Pakistan, North Africa and the Philippines. 1960s Pachigam is not so far from post-war London, or the Hollywood-driven present-day Los Angeles where Max?s daughter by Boonyi, India Ophuls, beautiful, strong-willed, modern, waits, as vengeance plays itself out.

A powerful love story, intensely political and historically informed, Shalimar the Clown is also profoundly human, an involving story of people?s lives, desires and crises ? India Ophuls? desperate search for her real mother, for example; Max?s wife?s attempts to deal with his philandering ? as well as, in typical Rushdie fashion, a magical tale where the dead speak and the future can be foreseen.

Shalimar the Clown is steeped in both the Hindu epic Ramayana and the great European novelists, melding the storytelling traditions of east and west into a magnificently fruitful blend ? and serves, itself, as a corrective to the destructive clashes of values it scorchingly depicts. Enthralling, comic and amazingly abundant, it will no doubt come to be seen as one of the key books of our time.

The second portent came on the morning of the murder, when Shalimar the driver approached Max Ophuls at breakfast, handed him his schedule card for the day, and gave in his notice. The ambassador?s drivers tended to be short-term appointees, inclined to move on to new adventures in pornography or hairdressing, and Max was inured to the cycle of acquisition and loss. This time, however, he was shaken, though he did not care to show it. He concentrated on his day?s appointments, trying not to let the card shake. He knew Shalimar?s real name. He knew the village he came from and the story of his life. He knew the intimate connection between his own scandalous past and this grave unscandalous man who never laughed in spite of the creased eyes that hinted at a happier past, this man with a gymnast?s body and a tragedian?s face who had slowly become more of a valet than a mere driver, a silent yet utterly solicitous body servant who understood what Max needed before he knew it himself, the lighted cigar that materialized just as he was reaching for the humidor, the right cuff-links that were laid out on his bed each morning with the perfect shirt, the ideal temperature for his bathwater, the right times to be absent as well as the correct moments to appear. The ambassador was carried back to his Strasbourgeois childhood years in a Belle Époque mansion near the now-destroyed old synagogue, and found himself marvelling at the rebirth in this man from a distant mountain valley. . . .
?from Shalimar the Clown

Inhaltsangabe:

Los Angeles, 1991. Maximilian Ophuls, one of the makers of the modern world, is knifed to death in broad daylight on the doorstep of his illegitimate daughter India, slaughtered by his Kashmiri driver, a mysterious figure who calls himself Shalimar the Clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former United States ambassador to India, and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination but turns out to be passionately personal.

This is the story of Max, his killer, and his daughter - and of a fourth character, the woman who links them, whose story explains them all. The story of a deep love gone fatally wrong, destroyed by a shallow affair, it is an epic narrative that moves from California to France, England, and above all, Kashmir. At its heart is the tale of that earthly paradise of peach orchards and honey bees, of mountains and lakes, of green-eyed women and murderous men: a ruined paradise, not so much lost as smashed.

Lives are uprooted, names keep changing - nothing is permanent, yet everything is connected. Spanning the globe and darting through history, Salman Rushdie's majestic narrative captures the heart of the reader and the spirit of a troubled age.

(2004-11-09)

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