This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: This work documents the influence of George Bernard Shaw upon James Joyce's work. The author shows in detail how Joyce's stolentelling from Shaw can be seen, maintaining that Joyce employed literary ruses to obscure the relationship between himself and his Irish predecessor. Buchnummer des Verkäufers
"May send some Joyceans into catatonic denial. . . . Black's detailed demonstration of Shaw's presence in Joyce's work is so overwhelming that one can only wonder at the determination of Joyceans to ignore it all these years. Her explanation of Joyce's need to keep his discipleship secret, partly out of ambivalence but mainly because he believed the artist must 'father' himself (another idea he stole from Shaw), is utterly convincing."--R. F. Dietrich, University of South Florida, Tampa
This controversial and groundbreaking book--certain to provoke Joyce scholars--documents the heretofore underobserved influence of George Bernard Shaw on James Joyce.
In painstaking detail, Martha Fodaski Black addresses Joyce's "stolentelling" from Shaw, maintaining that Joyce employed literary ruses to obscure the relationship between himself and his Irish predecessor--stratagems that argue for Joyce's own originality. Shaw and Joyce were both literary pickpockets, like most writers, but Shaw (unlike Joyce) readily admitted his sources. Black seeks "to restore Shaw's reputation, to prove that the crafty Joyce secretly approved of and used the old leprechaun playwright, and to quarrel with critics who isolate texts from the faces behind them."
Black finds "pervasive and indubitable connections" especially between Finnegans Wake and Back to Methuselah, culminating in the subterranean conflict between the father/brother ("frother") Shaun and the "penman" Shem in the Wake. But ultimately she shows that Shaw's influence on Joyce was ubiquitous: while the younger writer followed his own muse as a stylist, the "germs" of all his themes "are in the polemics, prefaces, and plays of the famous Fabian."
A critical pragmatist, Black draws on an eclectic blend of sociological/psychological and feminist insights to produce an analysis "accessible to readers who are not specialists in structuralism, deconstruction, manuscript analysis, or any of the critical isms." Given the controversial nature of "The Last Word in Stolentelling," it will find partisan readers among Joyce and Shaw scholars as well as others interested in Irish literature and literary theory.
Martha Fodaski Black, professor of English at Brooklyn College, City University of New York, was formerly associate director (overseas) of the Humanities Centre of the Institute for Irish Studies in Dublin. She is the author of George Barker and of numerous essays on modern literature published in such journals as The Explicator, Conradian, English Language Notes, and the James Joyce Literary Supplement.
Buchbeschreibung University Press of Florida, 1995. Buchzustand: Very Good. 0th Edition. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP92179316
Buchbeschreibung University Press of Florida, 1995. Buchzustand: Good. 0th Edition. Former Library book. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP30334343
Buchbeschreibung University Press of Florida. Buchzustand: Very Good. Used - Very Good. Ex-library, but has been well cared for. Buchnummer des Verkäufers Z1-L-015-01268
Buchbeschreibung University Press of Florida, 1995. Buchzustand: Very Good. 0th Edition. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP90355722
Buchbeschreibung Hardback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR008270186
Buchbeschreibung University Press of Florida, 1995. Hardcover. Buchzustand: New. Buchnummer des Verkäufers SONG0813013283
Buchbeschreibung University Press of Florida, 1995. Hardcover. Buchzustand: Good. Zustand des Schutzumschlags: Good. No owners' marks; there is an upper-corner clip on the half-title page and some light dust spotting on the top page block edge, otherwise pages are clean, crisp and bright; binding is square and tight; the dustjacket is modestly faded along the spine, and there is a damp-stain on the top rear jacket edge, otherwise sound. Buchnummer des Verkäufers 055912
Buchbeschreibung Univ Pr of Florida, Gainesville, 1995. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. 8vo pp. xvi 445.bibliography, index. book. Buchnummer des Verkäufers 97988
Buchbeschreibung University Press of Florida. Buchzustand: BRAND NEW. BRAND NEW Hardcover - A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Buchnummer des Verkäufers 2589026
Buchbeschreibung University Press of Florida, 1995. HARDCOVER. 1st Edition. Thick, heavy Octavo size (8vo). 445pp, bibliography, index . . . . . [ CONDITION : An extremely well preserved AS NEW unread copy in NEW Dust Jacket ] . . . . . . . . . . . NOTE Due to size and/or weight standard shipping to destinations outside the UK will cost more than the price shown above. Orders made by card will be completed after you have approved the extra cost. Buchnummer des Verkäufers TH43586