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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Polke's relentless undermining of higher truths extended to his own art, in which there are no conclusions, only multiplicities of images, ideas and meanings. The result might be labeled the Polke Effect: baffling, exhausting and ultimately, liberating. Buchnummer des Verkäufers

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Inhaltsangabe: Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Dürer prints. Polke avoided any one signature style, a fluid method best defined by the word “alibi,” which means “in or at another place.” This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke’s generation to reinvent the role of the artist. Published in conjunction with Alibis: Sigmar Polke 1963–2010, the first exhibition to encompass the artist’s work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke’s exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history.
Sigmar Polke (1941–2010) was born in Oels, in eastern Germany, now Olesnica in present-day Poland. At the end of World War II, Polke and his family fled to East Germany and, in 1953, escaped to Düsseldorf, where he was trained as a glass painter and subsequently studied at the Kunstakademie Düsseldorf. Since the late 1960s, Polke’s work has been shown widely, including solo exhibitions at European and American museums. His last major work was a commission for 12 stained glass windows of the Grossmünster in Zurich, Switzerland, completed in 2009.

About the Author:

Kathy Halbreich is Associate Director at The Museum of Modern Art.

Mark Godfrey is Senior Curator of International Art (Europe and Americas) at Tate Modern in London.

Lanka Tattersall is Assistant Curator at the Museum of Contemporary Art, Los Angeles.

Magnus Schaefer is a Curatorial Assistant in the Department of Drawings and Prints at The Museum of Modern Art, New York.

Paul Chan is an American artist, writer and founder of the art and ebook publishing company Badlands Unlimited, based in New York City.

Christophe Cherix is The Robert Lehman Foundation Chief Curator of Drawings and Prints at The Museum of Modern Art.

Tacita Dean is an English filmmaker and visual artist.

Barbara Engelbach is a curator at the Museum Ludwig, Cologne.

Stefan Gronert is a curator of the graphics collection at the Kunstmuseum and teaches art history at the University of Bonn, specializing in photography.

Rachel Jans is Assistant Curator at The San Francisco Museum of Modern Art.

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Sigmar Polke; Kathy Halbreich (editor)
Verlag: The Museum of Modern Art, New York (2014)
ISBN 10: 0870708899 ISBN 13: 9780870708893
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Buchbeschreibung The Museum of Modern Art, New York, 2014. Hardcover. Buchzustand: Near Fine. First edition. First Edition. c.2014. Hardcover. 4to. 319pp. Illus. Near Fine. Spine slightly cocked. Buchnummer des Verkäufers C000030810

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Borja-Villen Cherix
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Buchbeschreibung MoMA, U.S.A., 2016. Hardcover. Buchzustand: New. No Jacket. 1st Edition. Still in shrink-wrap, this is a brand new, immaculate copy. May not be the same as the stock photo being shown. this is illustrated with an image of a man from behind in front of words written on a white board, with a red titled wrap-around. May incur additional postage charges overseas. Buchnummer des Verkäufers 025741

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Polke, Sigmar
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Buchbeschreibung The Museum of Modern Art, New York. Hardcover. Buchzustand: Very Good. 0870708899 Crisp, clean, unread book with some shelfwear - NICE. Buchnummer des Verkäufers Z0870708899Z2

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Polke, Sigmar
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Buchbeschreibung The Museum of Modern Art, New York. Hardcover. Buchzustand: Good. 0870708899 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Buchnummer des Verkäufers Z0870708899Z3

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Buchbeschreibung The Museum of Modern Art, New York. Buchzustand: Good. 2014 - Hardcover - Used - Good - - - - Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!. Buchnummer des Verkäufers NN-12-3-0117

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Halbreich, Kathy (editor) et al.
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Buchbeschreibung The Museum of Modern Art, New York, New York, 2014. Hardcover. Buchzustand: VG. BW slightly textured boards, 320 pp., many BW & color illus.; weighs 5 lbs. Issued in conjunction with a series of 2014-2015 exhibitions featuring "the first comprehensive retrospective" of the work of German artist Sigmar Polke (1941-2010). "Polke blurred the boundaries of his mediums, avoiding any one signature style -- a fluidity that functioned as a kind of alibi, always keeping the artist just out of reach. The idea of the alibi is also a reminder of the willful blindness that shaped German behavior during the Nazi period, compelling Polke and others to reinvent the role of the artist in society." (publisher) With 17 thematic and illustrated essays and many examples of Polke's creativity, this volume is a solid introduction to this artist. Buchnummer des Verkäufers 147345

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Polke, Sigmar
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Buchbeschreibung The Museum of Modern Art, New York. Hardcover. Buchzustand: New. 0870708899 BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!|DTH. Buchnummer des Verkäufers DTH-S-9780870708893

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Kathy Halbreich
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Buchbeschreibung MUSEUM OF MODERN ART, United States, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Durer prints. Polke avoided any one signature style, a fluid method best defined by the word alibi, which means in or at another place. This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke s generation to reinvent the role of the artist. Published in conjunction with Alibis: Sigmar Polke 1963-2010, the first exhibition to encompass the artist s work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke s exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history. Sigmar Polke (1941-2010) was born in Oels, in eastern Germany, now Olesnica in present-day Poland. At the end of World War II, Polke and his family fled to East Germany and, in 1953, escaped to Dusseldorf, where he was trained as a glass painter and subsequently studied at the Kunstakademie Dusseldorf. Since the late 1960s, Polke s work has been shown widely, including solo exhibitions at European and American museums. His last major work was a commission for 12 stained glass windows of the Grossmunster in Zurich, Switzerland, completed in 2009. Buchnummer des Verkäufers AA29780870708893

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Broodthaers, Marcel
Verlag: The Museum of Modern Art, New York, NY (2016)
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Buchbeschreibung The Museum of Modern Art, New York, NY, 2016. Buchzustand: Near Fine. Near Fine oversized hardcover in illustrated boards. No title band. Faint scuffing to exterior; faint yellowing to page-ends. Otherwise a bright and attractive copy. 352 pp. Please contact us for accurate shipping rates on this oversized book. Buchnummer des Verkäufers 2036180

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Kathy Halbreich
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ISBN 10: 0870708899 ISBN 13: 9780870708893
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Buchbeschreibung MUSEUM OF MODERN ART, United States, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most influential and experimental artists of the post-war generation. His irreverent wit and promiscuous intelligence, coupled with his exceptional grasp of the properties of his materials, provided the foundation for his punishing critiques of the conventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the xerox machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as newspaper headlines and Durer prints. Polke avoided any one signature style, a fluid method best defined by the word alibi, which means in or at another place. This also is a reminder of the deflection of responsibility which shaped German behavior during the Nazi period, compelling Polke s generation to reinvent the role of the artist. Published in conjunction with Alibis: Sigmar Polke 1963-2010, the first exhibition to encompass the artist s work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists examine the full range of Polke s exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artistic conventions against German history. Sigmar Polke (1941-2010) was born in Oels, in eastern Germany, now Olesnica in present-day Poland. At the end of World War II, Polke and his family fled to East Germany and, in 1953, escaped to Dusseldorf, where he was trained as a glass painter and subsequently studied at the Kunstakademie Dusseldorf. Since the late 1960s, Polke s work has been shown widely, including solo exhibitions at European and American museums. His last major work was a commission for 12 stained glass windows of the Grossmunster in Zurich, Switzerland, completed in 2009. Buchnummer des Verkäufers AA29780870708893

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