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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries--twenty-six of whom are Canadian--with a colleague's candour, sympathy, and expertise. Buchnummer des Verkäufers

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Inhaltsangabe: It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener?or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries?twenty-six of whom are Canadian?with a colleague?s candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today.

Klappentext: It is a common misconception that it is difficult or impossible to discuss music, and that a piece of music simply speaks to the listener--or not. In these conversations with composers, Paul Steenhuisen offers readers insight into the creative process and suggests ways of listening to and interpreting new music. Steenhuisen talks one-on-one with thirty-two of his contemporaries (twenty-six of whom are Canadian) with a colleague?s candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Paul Steenhuisen is a composer of art music for acoustic and electroacoustic media. He also writes articles on contemporary music. In addition to earning his doctoral degree in composition from UBC under the direction of Keith Hamel, he studied with Louis Andriessen at the Royal Conservatoire in The Hague, privately with Michael Finnissy in London, England, and with Tristan Murail at IRCAM (Centre Georges Pompidou, Paris). Between 1998 and 2000, Paul Steenhuisen was composer-in-residence with the Toronto Symphony Orchestra, and he taught Composition at the University of Alberta until 2007. He currently works by commission and with HypoSurface in Boston, MA. Composers Martin Arnold Howard Bashaw John Beckwith Pierre Boulez Christopher Butterfield Marc Couroux Barbara Croall George Crumb Omar Daniel Francis Dhomont Michael Finnissy Keith Hamel James Harley Chris Paul Harman Peter Hatch Mauricio Kagel Udo Kasemets Gary Kulesha Helmut Lachenmann Alexina Louie Robert Normandeau John Oswald Juliet Palmer Jean Piché Yannick Plamondon John Rea James Rolfe R. Murray Schafer Linda Catlin Smith John Weinzweig Hildegard Westerkamp Christian Wolff

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Steenhuisen, Paul
Verlag: University of Alberta Press (2005)
ISBN 10: 0888644744 ISBN 13: 9780888644749
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Buchbeschreibung University of Alberta Press, 2005. Paperback. Buchzustand: Good. We have been selling books online for nearly 20 years, so buy with confidence. Every order is shipped the same day or the next day. This is a used book in good condition and may show some signs of use or wear . Buchnummer des Verkäufers mon0002090042

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Buchbeschreibung University of Alberta Press, 2005. Paperback. Buchzustand: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Buchnummer des Verkäufers mon0001081234

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Buchbeschreibung The University of Alberta Press. Paperback. Buchzustand: VERY GOOD. Very Good copy, cover and pages show some wear from reading and storage. Binding may have light creases. Lots of life left in these pages. Buchnummer des Verkäufers 2729102893

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Buchbeschreibung University of Alberta Press, 2009. Buchzustand: Good. N/A. Former Library book. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP93137556

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Buchbeschreibung Univ of Alberta Pubn Services, Edmonton, 2009. Buchzustand: Very Good. Zustand des Schutzumschlags: No Dj. 8vo. book. Buchnummer des Verkäufers 178427

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Buchbeschreibung The University of Alberta Press. Paperback. Buchzustand: Very Good. Book has appearance of only minimal use. All pages are undamaged with no significant creases or tears. Buchnummer des Verkäufers G0888644744I4N00

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Buchbeschreibung University of Alberta Press. Paperback. Buchzustand: new. BRAND NEW, Sonic Mosaics: Conversations with Composers, Paul Steenhuisen, It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener-or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries-twenty-six of whom are Canadian-with a colleague's candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Composers Interviewed: R. Murray Schafer; Robert Normandeau; Chris Paul Harman; Linda Catlin Smith; Alexina Louie; Omar Daniel; Michael Finnissy; John Weinzweig; Udo Kasemets; Pierre Boulez; Barbara Croall; James Rolfe; John Beckwith; Yannick Plamondon and Marc Couroux; George Crumb; Peter Hatch; John Oswald; Francis Dhomont; Martin Arnold; Helmut Lachenmann; Juliet Palmer; Christian Wolff; Mauricio Kagel; John Rea; Gary Kulesha; Howard Bashaw; Christopher Butterfield; Keith Hamel; Jean Piche; James Harley; Hildegard Westerkamp; Buchnummer des Verkäufers B9780888644749

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808886447490000000

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Paul Steenhuisen
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Buchbeschreibung University of Alberta Press, Canada, 2009. Paperback. Buchzustand: New. 226 x 152 mm. Language: English . Brand New Book. It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener-or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries-twenty-six of whom are Canadian-with a colleague s candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Composers Interviewed: R. Murray Schafer; Robert Normandeau; Chris Paul Harman; Linda Catlin Smith; Alexina Louie; Omar Daniel; Michael Finnissy; John Weinzweig; Udo Kasemets; Pierre Boulez; Barbara Croall; James Rolfe; John Beckwith; Yannick Plamondon and Marc Couroux; George Crumb; Peter Hatch; John Oswald; Francis Dhomont; Martin Arnold; Helmut Lachenmann; Juliet Palmer; Christian Wolff; Mauricio Kagel; John Rea; Gary Kulesha; Howard Bashaw; Christopher Butterfield; Keith Hamel; Jean Piche; James Harley; Hildegard Westerkamp; Buchnummer des Verkäufers AAG9780888644749

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