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Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture. Series: Heritage. Num Pages: 255 pages, 50. BIC Classification: 1DDF; 2ADF; 3H; ACND; AGP; AVR; DSBB; DSC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 238 x 159 x 22. Weight in Grams: 520. . 2007. Annotated. hardcover. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780802090140
Often abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce. In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product.
Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture.
Über die Autorin bzw. den Autor:
Carla Zecher is Director of the Center for Renaissance Studies at the Newberry Library in Chicago, Illinois.
Titel: Sounding Objects: Musical Instruments, ...
Verlag: University of Toronto Press
Erscheinungsdatum: 2007
Einband: Hardcover
Zustand: New
Anbieter: West Side Book Shop, ABAA, Ann Arbor, MI, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. x + 242 pp, Inscribed in ink on ffep, "To Tom / Best wishes, Carla" list of b&w figuresIntroduction, 4 chapters, epilogue, Notes, bibliogrpahy, index. Binding tight and square, pages clean, unmarked, paper well-preserved, near black cover cloth with little or no wear. 6.25" x 9.25" dark gray cloth boards, silver spine letters, in pale blue DJ / Unclipped in acetate protector. Size: Octavo. Inscribed by Author(s). Book. Bestandsnummer des Verkäufers 008135
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Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers FW-9780802090140
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Anbieter: moluna, Greven, Deutschland
Zustand: New. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality t. Bestandsnummer des Verkäufers 898721770
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Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. illustrated edition annotated edition. 255 pages. 9.00x6.00x1.00 inches. In Stock. Bestandsnummer des Verkäufers __0802090141
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Hardcover. Zustand: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book. Bestandsnummer des Verkäufers ERICA82908020901416
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