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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a "good man" and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator's despised double, the dangers of homoerotic pleasure, and Cicero's "De Oratore, as what good theory and practice ought to look like.Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Buchnummer des Verkäufers

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Inhaltsangabe: Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a "good man" and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?
Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator's despised double, the dangers of homoerotic pleasure, and Cicero's De Oratore, as what good theory and practice ought to look like.
Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University.

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Gunderson, Erik
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Buchbeschreibung Univ Michigan Press. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2273736

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Buchbeschreibung University of Michigan Press. Buchzustand: very good. 2000. hardcover. Dustcover: good. ISBN:0472111396. sku249423: Buchnummer des Verkäufers 249423

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Buchbeschreibung The University of Michigan Press, 2000. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CE-9780472111398

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Buchbeschreibung The University of Michigan Press, United States, 2000. Hardback. Buchzustand: New. New.. Language: English . Brand New Book. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a good man and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator s despised double, the dangers of homoerotic pleasure, and Cicero s De Oratore, as what good theory and practice ought to look like.Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Buchnummer des Verkäufers AAN9780472111398

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Buchbeschreibung The University of Michigan Press, United States, 2000. Hardback. Buchzustand: New. New.. Language: English . Brand New Book. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a good man and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator s despised double, the dangers of homoerotic pleasure, and Cicero s De Oratore, as what good theory and practice ought to look like.Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Buchnummer des Verkäufers AAN9780472111398

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Buchbeschreibung The University of Michigan Press. Hardback. Buchzustand: new. BRAND NEW, Staging Masculinity: The Rhetoric of Performance in the Roman World, Erik Gunderson, Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a "good man" and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator's despised double, the dangers of homoerotic pleasure, and Cicero's "De Oratore," as what good theory and practice ought to look like.Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Buchnummer des Verkäufers B9780472111398

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Buchbeschreibung The University of Michigan Press, United States, 2000. Hardback. Buchzustand: New. New.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a good man and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator s despised double, the dangers of homoerotic pleasure, and Cicero s De Oratore, as what good theory and practice ought to look like.Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Buchnummer des Verkäufers BTE9780472111398

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Buchbeschreibung 2000. Hardcover. Buchzustand: New. Hardcover. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition a.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 288 pages. 0.635. Buchnummer des Verkäufers 9780472111398

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Buchbeschreibung University of Michigan Press, 2000. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0472111396

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Buchbeschreibung Univ of Michigan Pr, 2000. Hardcover. Buchzustand: Brand New. 271 pages. 9.25x6.25x1.25 inches. In Stock. Buchnummer des Verkäufers __0472111396

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