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Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day.

Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations.

Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.

About the Author: Sascha T. Scott is Assistant Professor of American Art and a member of the Native American Studies faculty at Syracuse University.

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Scott, Sascha T.
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Buchbeschreibung Hardcover. Buchzustand: Good. The cover may have some normal wear. The text has no notes or markings. We ship daily Monday - Friday!. Buchnummer des Verkäufers 1EYDQW004660

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Scott, Sascha T
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Buchbeschreibung University of Oklahoma Press. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2394315

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Buchbeschreibung University of Oklahoma Press, Norman in cooperation with The William P. Clements Center for Southwest Studies, 2015. Hardcover. Buchzustand: New. 280 pages. Hardcover with dustjacket. New book. NATIVE AMERICANS. Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists' encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915-30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the "vanishing Indian." Georgia O'Keeffe's images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color. 9"x11''. 58 color and 30 black and white illustrations. Sascha T. Scott is Assistant Professor of American Art and a member of the Native American Studies faculty at Syracuse University. (Key Words: Pueblo Indians, Native Americans, Sascha T. Scott, American Indians, Politics, Art, Photography, New Mexico, Ernest L. Blumenschein, John Sloan, Marsden Hartley, Awa Tsireh, Alfonso Roybal, Scott , Georgia O'Keeffe). Volume 16 in Charles M. Russell Center Series on A. book. Buchnummer des Verkäufers 83371X1

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Buchbeschreibung Univ of Oklahoma Pr, 2015. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers KS-9780806144849

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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 23086544-n

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Buchbeschreibung UNIV OF OKLAHOMA PR, 2015. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780806144849

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Buchbeschreibung University of Oklahoma Press. Hardcover. Buchzustand: New. Hardcover. 280 pages. Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 191530, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the vanishing Indian. Georgia OKeeffes images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Buchnummer des Verkäufers 9780806144849

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Sascha T. Scott
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Buchbeschreibung University of Oklahoma Press 2015-01-21, Norman, 2015. hardback. Buchzustand: New. Buchnummer des Verkäufers 9780806144849

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Buchbeschreibung University of Oklahoma Press, 2015. Buchzustand: New. Buchnummer des Verkäufers TH9780806144849

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