This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: "Everybody has a life. Everybody has a sensibility. Everybody has yearnings. Everybody has a cause to plead. And everybody has a camera. It takes an intelligence bold as Amy Arbus to turn these universal commonplaces not just into works of art, but works of insight." - Richard Avedon, photographer "Arbus's style is so casual it feels effortless, and every picture has wit, soul, and graphic snap. Roaming the East and West Village streets, she found and recorded many of the era's most idiosyncratic icons, including John Sex, Ann Magnuson, Joey Arias, Phoebe Legere, and, inevitably Madonna, whose stained camel-hair coat and scarily prescient bowling bag still look like the very definition of downtown chic. Arbus clearly understands the power of cloths to express personality, so the best of her work is a seamless blend of fashion and portraiture." - Vince Aletti, The Village Voice "When the street becomes a stage "normal" people become players in a one act play which never ends. When the director is Amy Arbus, the plot thickens, not only is it the external shakings but she perceives and activates the internal quakings. Each person's moment becomes an equivalent.a poetic revelation. Amy is our visual scribe. We trust her avidity , since she speaks of all of us." -Larry Fink, photographer. Buchnummer des Verkäufers
Inhaltsangabe: Between 1980 and 1990, over five hundred of photographer Amy Arbus's impromptu and edgy portraits of New Yorkers appeared in the Village Voice's monthly fashion feature, "On the Street." The column's missive was to document the city's most adventurous trednsetters as they lived their lives. But Arbus's photographs tell much more than a style story. From the friendliest to the grittiest, every one of these images is a potent tribute to self-expression. Taken as a whole, they reflect an era of contradictions, a time in America when urban individualism and raw creativity were courageously fighting for breathing room and holding their own in a culture ruled by wealthy conservatism and Republican politics.
For the first time since that hard-to-define decade, this time-capsule collection of images is being revisited. On the Street features seventy of the most revealing and expressive images taken by Arbus on the city’s fashion-fertile sidewalks. From the unknown to the unmistakably famous, her subjects are all equally unforgettable. Arbus’s ubiquitous lens captured the most influential style-makers, from The Clash on the set of Martin Scorsese's King of Comedy and Madonna on the same day her single “Everybody” hit the charts, to Anna Sui, Joey Arias, Phoebe Legére, and countless other local artists, actors, costume designers, shop owners, musicians, make-up artists, graffiti artists, and downtown scenesters. From eyewear to underwear and schoolgirl skirts to backless shirts; from women dressed like men to men that are barely dressed; from lipstick to just plain “schtik,” there is no aspect of 80’s style that goes unrepresented.
A. M. Homes, the renowned author of The End of Alice and contributing editor at Vanity Fair, offers a personal and illuminating essay that introduces and celebrates Arbus’ photographs, while elegantly placing them in the context of the time in which they were taken.
About the Author:
Amy Arbus has been photographing professionally for twenty-four years. She is a contributing photographer to New York Magazine theater section. Her photographs have appeared in over one hundred periodicals around the world including The New Yorker, Aperture, People, ESPN and The New York Times Magazine. Her advertising clients include American Express, Nickelodeon, Saatchi & Saatchi, New Line Cinema, Christiano Fissore, and The California Children and Families Commission. Her first book, No Place Like Home, portraits of people who live in unusual homes, was published by Doubleday & Company in 1986. Her second book, The Inconvenience of Being Born, a photo essay on the extreme emotional nature of infants, was published by Fotofolio in 1999 and received an Award of Excellence from Communication Arts. She teaches portraiture at the International Center of Photography, The Fine Arts Work Center and The Toscana Photographic Workshops. Her most recent exhibition was at the Schoolhouse Gallery in Massachusetts. She has had thirteen one-woman exhibitions worldwide, and her photographs are a part of the collection of The Museum of Modern Art in New York.
A.M. Homes is the author of the novels The End of Alice, In a Country of Mothers, and Jack, as well as the short-story collection The Safety of Objects and the artist's book Appendix A. Her fiction has been translated into eight languages, and she is the recipient of numerous awards, including a Guggenheim Fellowship and a National endowment for the Arts Fellowship. Her fiction and nonfiction appear in magazines such as The New Yorker and Artforum, among others, and she is a contributing editor at Vanity Fair, Mirabella, Bomb, Blind Spot, and Story. She teaches in the writing programs at Columbia University and The New School and lives in New York City.
Buchbeschreibung Welcome Books, 2006. Buchzustand: very good. Gently used. Expect delivery in 2-3 weeks. Buchnummer des Verkäufers 9781599620152-3
Buchbeschreibung Welcome Books 2006-09-01, 2006. Hardcover. Buchzustand: good. 1599620154. Buchnummer des Verkäufers 567991
Buchbeschreibung Welcome Books, New York, 2006. Hardcover. Buchzustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Size: Folio - over 12" - 15" tall. Text unmarked. Black & white photographs. Boards bumped and worn at corners, edges and spine ends. Quantity Available: 1. ISBN: 1599620154. ISBN/EAN: 9781599620152. Pictures of this item not already displayed here available upon request. Inventory No: 153095. Buchnummer des Verkäufers 153095
Buchbeschreibung New York: Welcome Books, 2006, 2006. Hardcover. Buchzustand: As New. 1st Edition. 4to, publisher's illustrated boards, 104pp. First edition. A SEALED and AS NEW copy with nothing worse than small rends to the shrinkwrap at the foot and head of the spine. Extra postage will be asked. Buchnummer des Verkäufers ATLAAOTSWB06
Buchbeschreibung Welcome Books, New York, 2006. Hardcover. Buchzustand: Very Good. Second printing. Thick paper boards with mounted illustration to the front board. Brown cloth spine with black lettering. A few small nicks to board edges. A very good copy. Buchnummer des Verkäufers 25926
Buchbeschreibung Welcome Books, 2006. Buchzustand: New. Brand New, Ship through DHL within 24 hours, Delivery within 7 days. Buchnummer des Verkäufers ABECRV1480
Buchbeschreibung Hardcover. Buchzustand: As New. 1st Edition. NY: Welcome Enterprises, 2006. Hard cover no DJ, as issued. First Edition (stated). SIGNED by the author, Amy Arbus on half title page. 4to, 104pp, B & W photos. The interior is crisp and clean, with no marks, signatures or signs of previous use. Bindings are fresh showing no wear. Covers are heavy cardboard with photo and front board edge has slight bend. Gift quality. Book condition: As new. Books are shipped quickly and securely packed. Domestic orders include USPS Tracking. Signed by Author(s). Buchnummer des Verkäufers 5649
Buchbeschreibung Welcome Books, 2006. Hardcover. Buchzustand: Very Good. Buchnummer des Verkäufers P021599620154
Buchbeschreibung Welcome Books, 2006. Hardcover. Buchzustand: New. As new clean tight and bright first edition first printing. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Buchnummer des Verkäufers 79866
Buchbeschreibung Welcome Books, 2006. Hardcover. Buchzustand: Like New. Buchnummer des Verkäufers P011599620154