ISBN 10: 1576470008 / ISBN 13: 9781576470008
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Inhaltsangabe: In the early nineteenth century, seven composers experimented with the design of the piano concerto at roughly the same time. Two mature figures -- Johann Baptist Cramer and Carl Maria von Weber -- and five young firebrands -- Felix Mendelssohn, Valentin Alkan, Clara Wieck, Robert Schumann and Franz Liszt -- probed the possibilities and challenged the traditions of the genre regarded as problematic, and even anachronistic, by the 1830s. Lindeman considers each composer's approach to concerto form in a lucid and engaging account. He then pairs this with an analysis of their concertos, including a combination of LaRue timelines and Schenkerian techniques that is logical and insightful. Lindeman's book includes measure-by-measure timeline analyses of the first movements of over 100 concertos.

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Stephan D. Lindeman
Verlag: Boydell and Brewer (1999)
ISBN 10: 1576470008 ISBN 13: 9781576470008
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Buchbeschreibung Boydell and Brewer, 1999. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers FW-9781576470008

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Stephan D. Lindeman
Verlag: Pendragon Press, United States (1999)
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Buchbeschreibung Pendragon Press, United States, 1999. Hardback. Buchzustand: New. 282 x 218 mm. Language: English . Brand New Book. In the early nineteenth century, seven composers experimented with the design of the piano concerto at roughly the same time. Two mature figures - Johann Baptist Cramer and Carl Maria von Weber - and five young firebrands - Felix Mendelssohn, Valentin Alkan, Clara Wieck, Robert Schumann and Franz Liszt - probed the possibilities and challenged the traditions of the genre regarded as problematic, and even anachronistic by the 1830s. Lindeman considers each composer s approach to concerto form in a lucid and engaging account. He then pairs this with an analysis of their concertos, including a combination of LaRue timelines and Schenkerian techniques that is logical and insightful. A different perspective is seen in the reviews of Robert Schumann in his Neue Zeietschrift fur Musik. The critic s profound dismay with the state of the noble genre is apparent in his reviews of concertos by the Parisian virtuoisi, which he regarded with particular disdain. Lindeman s overview reveals that Schumann s criticism offers a touchstone for the reformulation of the genre in the experimental works of the seven composers. Lindeman s book includes measure-by-measure timeline analyses of the first movements of over 100 concertos. Included are all those of Mozart, Cramer, Beethoven, Hummel, Weber, Field, Moscheles, Alkan, Chopin, Mendelssohn, Wieck, Schumann, and Liszt, plus examples by Sterndale Bennett, Boieldieu, Burgmuller, Czerny, Dussek, Ries, and Steibelt. Structural Novelty and Tradition in the Early Romantic Piano Concerto offers the first detailed examination of a critical time in the development of the form. It is an indispensable reference tool for anyone interested in the piano concerto genre. Buchnummer des Verkäufers AAH9781576470008

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Stephan D. Lindeman
Verlag: Pendragon Press, United States (1999)
ISBN 10: 1576470008 ISBN 13: 9781576470008
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Buchbeschreibung Pendragon Press, United States, 1999. Hardback. Buchzustand: New. 282 x 218 mm. Language: English . Brand New Book. In the early nineteenth century, seven composers experimented with the design of the piano concerto at roughly the same time. Two mature figures - Johann Baptist Cramer and Carl Maria von Weber - and five young firebrands - Felix Mendelssohn, Valentin Alkan, Clara Wieck, Robert Schumann and Franz Liszt - probed the possibilities and challenged the traditions of the genre regarded as problematic, and even anachronistic by the 1830s. Lindeman considers each composer s approach to concerto form in a lucid and engaging account. He then pairs this with an analysis of their concertos, including a combination of LaRue timelines and Schenkerian techniques that is logical and insightful. A different perspective is seen in the reviews of Robert Schumann in his Neue Zeietschrift fur Musik. The critic s profound dismay with the state of the noble genre is apparent in his reviews of concertos by the Parisian virtuoisi, which he regarded with particular disdain. Lindeman s overview reveals that Schumann s criticism offers a touchstone for the reformulation of the genre in the experimental works of the seven composers. Lindeman s book includes measure-by-measure timeline analyses of the first movements of over 100 concertos. Included are all those of Mozart, Cramer, Beethoven, Hummel, Weber, Field, Moscheles, Alkan, Chopin, Mendelssohn, Wieck, Schumann, and Liszt, plus examples by Sterndale Bennett, Boieldieu, Burgmuller, Czerny, Dussek, Ries, and Steibelt. Structural Novelty and Tradition in the Early Romantic Piano Concerto offers the first detailed examination of a critical time in the development of the form. It is an indispensable reference tool for anyone interested in the piano concerto genre. Buchnummer des Verkäufers AAH9781576470008

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Buchbeschreibung Pendragon Pr, 1999. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX1576470008

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Buchbeschreibung Pendragon Press, 1999. Hardcover. Buchzustand: Brand New. first edition. 348 pages. 11.50x8.75x1.00 inches. In Stock. Buchnummer des Verkäufers __1576470008

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